{"title":"shop","description":null,"products":[{"product_id":"unlicensed-bootlegging","title":"UNLICENSED: Bootlegging as Creative Practice","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOver the last few decades the term ‘bootlegging’—a practice once relegated to smugglers and copyright infringers—has become understood as a creative act. Debates about homage, appropriation, and theft that are common in the art world, are now being held in the spheres of corporate branding, social media, and the creative industry as a whole. Today, bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T-shirts, publishing ideologies, to acts of high fashion détournement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eUNLICENSED contains twenty-one interviews with a range of creative practitioners on the topic of bootlegging. The conversations in UNLICENSED investigate bootlegging’s creative and critical potential, and explore new ways bootlegging can be deployed in order to thrive as an impactful cultural force.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthor and design: \u003c\/span\u003e\u003cspan\u003eBen Schwartz\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBen Schwartz\u003c\/span\u003e\u003cspan\u003e (1988) is a graphic designer and editor based in New York. He collaborates with several graphic design studios in the cultural sector across a variety of media.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInterviews with: \u003c\/span\u003e\u003cspan\u003eA March Issue (Line Arngaard \u0026amp; Sonia Oet), Babak Radboy, Clara Balaguer \u0026amp; Czar Kristoff, BLESS (Desiree Heiss \u0026amp; Ines Kaag), Boot Boyz Biz, Akinola Davies Jr, Eric Doeringer, Experimental Jetset (Marieke Stolk, Erwin Brinkers, Danny van den Dungen), Elisa van Joolen, Hassan Kurbanbaev, Urs Lehni \u0026amp; Olivier Lebrun, Jonathan Monk, Matt Olson, Online Ceramics (Elijah Funk \u0026amp; Alix Ross), Mark Owen, Printed Matter (Jordan Nassar \u0026amp; Christopher Schulz), Nat Pyper, Hassan Rahim, Shanzhai Lyric, SHIRT, Oana Stanescu\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2023, Valiz, 18 x 11,5 cm, 432 pp., English, ISBN 978-94-93246-29-4\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062719959386,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/9789493246294_UNLICENSED_Cover_lighterblack_72dpi.jpg?v=1785935789"},{"product_id":"seven-logics-of-sculpture","title":"Seven Logics of Sculpture. Encountering Objects Through the Senses","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThis book explores ‘seven logics’ of sculpture—not as a historical overview, but with a contemporary analytical approach, drawing from literature, philosophy, psycho-analysis, architecture, and mundane daily culture—that help understand specific manifestations of sculpture and the active perception by the viewer. It relates to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthor:\u003c\/span\u003e\u003cspan\u003e Ernst van Alphen\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign: \u003c\/span\u003e\u003ca href=\"http:\/\/samdegroot.nl\/\"\u003e\u003cspan\u003eSam de Groot\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eErnst van Alphen\u003c\/span\u003e\u003cspan\u003e (b. 1958) is a cultural analyst and a professor emeritus of Literary Studies at the Leiden University Centre for the Arts in Society. His publications include \u003c\/span\u003e\u003ca href=\"https:\/\/valiz.nl\/en\/publications\/shame-and-masculinity\"\u003e\u003cspan\u003eShame! and Masculinity\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e (Valiz, 2020); \u003c\/span\u003e\u003ca href=\"https:\/\/valiz.nl\/en\/publications\/failed-images\"\u003e\u003cspan\u003eFailed Images\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e (Valiz, 2018); \u003c\/span\u003e\u003cspan\u003eStaging the Archive\u003c\/span\u003e\u003cspan\u003e (Reaktion Books, 2014).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFeaturing work by: \u003c\/span\u003e\u003cspan\u003eCarl Andre, Aldo Bakker, Gian Lorenzo Bernini, Louise Bourgeois, Constantin Brancusi, Anthony Caro, Joseph Cornell, Saloua Raouda Choucair, Jeannette Christensen, Lygia Clark, Salvador Dalí, Marcel Duchamp, Alberto Giacometti, Dan Graham, David Hammons, Raoul Hausmann, Barbara Hepworth, Heringa\/Van Kalsbeek, Eva Hesse, Hans Hovy, Ann Veronica Janssens, Donald Judd, Maria van Kesteren, Per Kirkeby, Katarzyna Kobro, Jannis Kounellis, Geert Lap, Sol Lewitt, Franz Xaver Messerschmidt, Michelangelo, Henry Moore, Bruce Nauman, Meret Oppenheim, Pablo Picasso, Giuseppe Penone, Robert Rauschenberg, Charles Ray, Auguste Rodin, Medardo Rosso, Fred Sandback, Marien Schouten, Richard Serra, David Smith, Alina Szapocznikow, Johan Tahon, Didier Vermeiren, Rachel Whiteread, and many others\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2023, Valiz, 23,4 x 16,5 cm, 240 pp., English, SBN 978-94-93246-15-7\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062723203418,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/17-Seven_Logics_of_Sculpture.jpg?v=1785944700"},{"product_id":"making-matters-a-vocabulary","title":"Making Matters. A Vocabulary for Collective Arts","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. \u003c\/span\u003e\u003cspan\u003eMaking Matters \u003c\/span\u003e\u003cspan\u003espells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCollective action often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaking Matters\u003c\/span\u003e\u003cspan\u003e looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism—where the boundaries between art, design, research and activism become blurred or are dissolved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe entries in this vocabulary experiment with concepts and keywords of current art practices that may no longer be recognizable as art.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.hackersanddesigners.nl\/\"\u003e\u003cspan\u003eHackers \u0026amp; Designers\u003c\/span\u003e\u003c\/a\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditors: \u003c\/span\u003e\u003cspan\u003eJanneke Wesseling, Florian Cramer \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cspan\u003e Aliens in Green, a.pass \/ Lilia Mestre, Florian Cramer, Display Distribute \/ Elaine W. Ho, Feral Atlas \/ Lili Carr \u0026amp; Feifei Zhou Anja Groten, Thalia Hoffman, Jatiwangi art Factory \/ Bunga Siagian \u0026amp; Ismal Muntaha, Eleni Kamma, Frans-Willem Korsten, Klaas Kuitenbrouwer, Pia Louwerens, Dani Ploeger, Kate Rich, Femke Snelting, Olu Taiwo, Janneke Wesseling, West \/ Baruch Gottlieb, West \/ Akiem Helmling, Z. Blace\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJune 2022, Valiz, 20 x 11 cm, 336 pp., English, ISBN 978-94-93246-11-9\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062724940122,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/MakingMatters.AVocabularyforCollectiveArts.jpg?v=1786465224"},{"product_id":"burning-images-a-history-of-effig","title":"Burning Images. A History of Effigy Protests","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEffigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEffigy protests communicate communal outrage over perceived injustice. Hanging and burning effigies is an archaic and ritualistic form of protest, yet it is effectively communicated through global news media and social media, mediated, and used trans-nationally. The book contains two interacting narratives: text (seven chapters) and a parallel montage of images. It delves deeply into the different practices, iconologies, rituals, protest and media strategies, as well as into politics and concludes with a reflection on how the effigy protests act as a symptom of fundamental conflicts at the limits of contemporary liberal democracy.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith many images from the United States, Iraq, Egypt, Iran, Afghanistan, and many other areas.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthor:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/floriangoettke.com\/\"\u003e\u003cspan\u003eFlorian Göttke\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.samdegroot.nl\/\"\u003e\u003cspan\u003eSam de Groot\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/floriangoettke.com\/\"\u003e\u003cspan\u003eFlorian Göttke\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e is a visual artist, researcher, and writer based in Amsterdam. He combines visual modes of research (collecting, close reading, and image montage) with academic research to investigate the functioning of public images and their relationship to social memory and politics. Göttke has exhibited internationally, has written articles for academic journals and art publications. His book \u003c\/span\u003e\u003cspan\u003eToppled\u003c\/span\u003e\u003cspan\u003e, an iconological study of the toppled statues of Saddam Hussein, was nominated for the Dutch Doc Award 2011.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2021, Valiz, 320 pp., 23,4 x 16,5 cm, English, ISBN 978-94-92095-96-1\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062726807898,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/BurningImages.AHistoryofEffigyProtests.jpg?v=1786465197"},{"product_id":"on-the-necessity-of-gardening-an","title":"On the Necessity of Gardening. An ABC of Art, Botany and Cultivation","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broader relationships between nature and culture are played out on small scale. From this long cultural tradition also raises a call for a new awareness of our relationship with the Earth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the Necessity of Gardening\u003c\/span\u003e\u003cspan\u003e tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHowever, the garden is not just a neutral place and intended solely for personal pastime, it is a place where the world manifests itself and where the relationship between culture and nature is expressed. In the eighteenth century this image shifted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth, by connecting different fields of activity in landscape, art and culture. Through many different essays and an extensive abecedarium, \u003c\/span\u003e\u003cspan\u003eOn the Necessity of Gardening\u003c\/span\u003e\u003cspan\u003e reflects on the garden as a metaphor for society, through concepts such as botanomania and capitalocene, from guerrilla gardening to queer ecology and zen garden.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditor:\u003c\/span\u003e\u003cspan\u003e Laurie Cluitmans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bartdebaets.nl\/\"\u003e\u003cspan\u003eBart de Baets\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cspan\u003e Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLaurie Cluitmans\u003c\/span\u003e\u003cspan\u003e (b. 1984, NL) works as a curator of contemporary art for the Centraal Museum in Utrecht and is also an independent art critic. In 2016 she received the Prize for Young Art Criticism for her essay on the garden by Derek Jarman and Ian Hamilton Finlay.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2021, Valiz, 240 pp., 32 x 24 cm, English, ISBN 978-94-93246-00-3\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062730805594,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/On_the_Necessity_of_Gardening._An_ABC_of_Art_Botany_and_Cultivation.webp?v=1786464742"},{"product_id":"valuing-architecture-heritage-and","title":"Valuing Architecture. Heritage and the Economics of Culture","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eArchitecture has always been found in a space between its economic and cultural values. As distinct from the intrinsic values attributed to the visual and performing arts, literature and music, architecture's values are often seen to be compromised by, or contingent upon, forces outside of the discipline—on property prices, real estate markets and the vicissitudes of local and global economies. Such intersections of cultural and economic values are especially conspicuous in architectural heritage where conflicts between values are most publicly and passionately contested.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eValuing Architecture\u003c\/span\u003e\u003cspan\u003e is not concerned with arguments for or against the cultural value of architecture and heritage per se but, rather, with the different sites and occasions where such values are bestowed, exchanged and come into conflict. It brings together a collection of essays that tackle concrete cases, both historical and contemporary, to explore how the values of architecture intersect, and what is at stake for architecture in the economics of culture.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditors:\u003c\/span\u003e\u003cspan\u003e Ashley Paine, Susan Holden, John Macarthur\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.samdegroot.nl\/\"\u003e\u003cspan\u003eSam de Groot\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cspan\u003e Daniel M. Abramson, Tom Brigden, Alex Brown, Amy Clarke, Wouter Davidts, Bart Decroos, Susan Holden, Jordan Kauffman, Hamish Lonergan, John Macarthur, Joanna Merwood-Salisbury, Ashley Paine, Anton Pereira, Andrea Phillips, Lara Schrijver, Ari Seligmann, Kirsty Volz, Rosemary Willink\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2020, Valiz, 288 pp., 23,4 x 16,5 cm, ISBN 978-94-92095-93-0\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062732345690,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/cms_visual_2153942.jpg_1695190140000_1200x1697_0.8_p-1af3812023.webp?v=1786471303"},{"product_id":"conceptual-art-in-a-curatorial-pers","title":"Conceptual Art in a Curatorial Perspective. Between Dematerialization and Documentation","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eConceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation\u003c\/span\u003e\u003cspan\u003e focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue and the different ways of dealing with it within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthor:\u003c\/span\u003e\u003cspan\u003e Nathalie Zonnenberg\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.samdegroot.nl\/#\"\u003e\u003cspan\u003eSam de Groot\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eNathalie Zonnenberg\u003c\/span\u003e\u003cspan\u003e is an art historian and curator. She holds a PhD in Art History from Vrije Universiteit, Amsterdam (NL). Zonnenberg regularly writes on contemporary art. She lectures Art History at the Open University (NL) and at the post-graduate Curatorial Studies programme at KASK\/the Royal Academy of Fine Arts in Ghent (BE).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2019, Valiz, paperback, 240 pp., 23.5 x 16.5 cm, English, ISBN 978-90-78088-76-9\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062733918554,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/2020_San-Serriffe_0415.jpg?v=1786471826"},{"product_id":"adelita-husni-bey-white-paper-on-l","title":"White Paper: On Land, Law and the Imaginary","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/span\u003e\u003cspan\u003e is an experimental compendium to White Paper (2013–16), a project developed by artist Adelita Husni-Bey in collaboration with several organizations and bodies. Divided into three distinct chapters revolving around the relationship between legislation, property and agency vis-à-vis the right to housing in Egypt, the Netherlands and Spain, this publication chronicles the project’s tactics of representation and diverse methodological approaches across institutions and informal spaces. 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But if the world changes and no longer provides us with the same feedback, we lose our minds: to the privileged, equality feels like persecution. Extinction bursts are forms of active denial; refusals to accept the past as gone, and desperate attempts to preserve the potential of an impossible reality. Today, modernity’s worst tendencies return intensified: patriarchy, racism, plutocracy, colonialism, exploitation, rentierism, genocide. Even attempts at redemption, restoration and stasis accelerate the decline.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIs the decline of the West irreversible? We interview YANCEY STRICKLER on creating alternative realities. RICHARD WENTWORTH walks and sends postcards. WENDY BROWN prefaces a new translation of Marx’s Capital. NOAM CHOMSKY is in conversation with RAGE AGAINST THE MACHINE. FRANCIS FUKUYAMA is in conversation with JACK SELF, who reviews Bin Laden and the creative millennial. 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Using the review format, Real Review explores power relations through a close analysis of the material world. Real Review is a perpetual attempt at describing reality as it might actually exist, and reality as we experience it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrevious contributors include Chelsea Manning, His Holiness Pope Francis, Virgil Abloh, Olafur Eliasson, Hito Steyerl, Wolfgang Tillmans, Slavoj Žižek, Extinction Rebellion, Bifo Berardi, Cao Fei, Carlo Rovelli, Robin Givhan, Ryuichi Sakamoto, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eReal Review is dedicated to the promotion of democracy, inclusivity and equalities of many kinds. It is a non-commercial publication and contains no advertising. It is funded by sales and its Members, and is editorially independent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2026, 11 x 26 cm, 88 pp\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54310902333786,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/RealReviewIssue18.jpg?v=1786465886"},{"product_id":"gaze-studies-kaisa-syrjanen","title":"Kaisa Syrjänen. Gaze Studies","description":"\u003cp\u003ePhotographs, documents, materials, and sketches stacked up in drawers, boxes, and folders. Lingering in notebooks, on hard drives, and in storage. \u003ci\u003eTutkimus kauneuden politiikasta \/ Gaze Studies\u003c\/i\u003e brings together more than seven years of \u003cb\u003eKaisa Syrjänen’s \u003c\/b\u003eartistic research on beauty and appearance as social phenomena. The book consists of an avalanche of archival material, previously assembled into exhibitions, now offering a glimpse into Syrjänen’s background research. Through this somewhat chaotic collection, Syrjänen traces the demands, history, and ongoing presence of Western ideals of female beauty.\u003c\/p\u003e\n\u003cp\u003eKaisa Syrjänen is a Helsinki-based visual artist and journalist working with archives, photographs, and documents. She is currently studying sociology at the University of Helsinki.\u003c\/p\u003e\n\u003cp\u003eThe nearly 300-page book combines Syrjänen's own work with numerous archival sources. 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The book recounts the stories of ten gardens and the people running them, who have resuscitated urban brownfield sites by growing fruits and vegetables as a source of food. To achieve this end, they have developed infrastructures like watering and irrigation systems and methods of cultivation, recycling, and composting, while also building storage structures and producing their own tools. 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Mycelial Learning and the Arts","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a growing interest in fungi and mycelium as a material, the ever-branching connecting threads of the fungal world. The entanglements and how this rhizomatic network functions is not just a fascinating ecological system and material, but carries a profound usefulness as a metaphor for our potential new systems, ways of thinking and behaviors. Let’s Become Fungal! takes its inspiration from the world of art and mycology and shares innovative practices from Latin America and the Caribbean that are rooted in multispecies collaboration, symbiosis, alliances, non-monetary resource exchange, decentralization, bottom-up methods and mutual dependency­—all in line with the behavior of the mycelium. Every chapter is phrased as a question. They do not lead to answers, but to twelve teachings addressing for instance collaboration, decoloniality, non-linearity, toxicity, mobilization, biomimicry, death, and being non-binary. Simultaneously it ventures deeper into the world of fungi. The teachings from the fungus may inspire artists, collectives, organizations, educators, policy-makers, designers, scientists, anthropologists, change-makers, curators, urbanists, activists, gardeners, community-leaders, farmers, and many others, to become more fungal in their ways of working and being.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthor: \u003c\/span\u003e\u003ca href=\"https:\/\/www.yasmine-ostendorf-rodriguez.info\/\"\u003e\u003cspan\u003eYasmine Ostendorf-Rodríguez\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesign: \u003c\/span\u003e\u003ca href=\"http:\/\/andreaspikker.com\/\"\u003e\u003cspan\u003eAndrea Spikker\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIllustrations: \u003c\/span\u003e\u003cspan\u003eRommy González\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYasmine Ostendorf-Rodríguez\u003c\/span\u003e\u003cspan\u003e works as curator and researcher on art and ecology, and is based in Mexico-City. She founded and directed many international initiatives at the intersection of art and ecology, including the Green Art Lab Alliance (Asia, Latin America and Europe) and the Nature Research Department, the Van Eyck Food Lab, and the Future Materials Bank at the Jan van Eyck Academie (Netherlands).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2023, \u003c\/span\u003e\u003ca href=\"https:\/\/valiz.nl\/en\/#publications\"\u003e\u003cspan\u003eVALIZ\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, 336 pp., 24 x 17 cm, English, ISBN 978-94-93246-28-7\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54368224149850,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/letsbecomefungal.jpg?v=1786465511"},{"product_id":"the-domestic-encyclopaedia-oblique-encounters-of-domestic-space","title":"The Domestic Encyclopaedia – Oblique Encounters of Domestic Space","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe shower, cook and heat our homes. There is water, gas and electricity. We sit at a table, wash in a sink or rest on a couch. We are bodies among other bodies; living and dead, solid and fluid, raw and transformed, recognisable or in disguise. To live is to interact, but what are we interacting with? 'The Domestic Encyclopaedia' is a collection of stories that explore the material body of architecture, of houses. In the midst of ongoing ecological disaster and increased alienation from nature it invites you to travel beyond the screen, to practice attention and probe the nature of domestic space. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Domestic Encyclopaedia is a collection of stories that explore the material body of architecture, of houses. In the midst of ongoing ecological disaster and increased alienation from nature it invites you to travel beyond the screen, to practice attention and probe the nature of domestic space. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this encyclopedia of domestic space Annee Grøtte Viken enters in a dialogue with the conventional spaces that surround us, the semiotic skin we call home. She uses her first love, literature, to imagine and give voice to the seemingly mute spaces we inhabit, collecting bits and pieces from the western canon and non-western counter-canon, to find characters lying in bath, dreaming in bed, cooking in kitchens. By each time articulating the imagined voices of these spaces, she embarks on a poetic journey into the home, this drifting island.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2025, Set Margins, 11 x 14 cm, 76 p, English, ISBN \u003c\/span\u003e\u003cspan\u003e978-90-835325-6-1\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54368228737370,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/TheDomesticEnyclopedia.jpg?v=1786465285"},{"product_id":"maja-baltic-extra","title":"MAJA Baltic Extra","description":"\u003cp\u003eEstonia, Latvia, and Lithuania, collectively known as the Baltics, are three small countries that most of the world finds pretty much indistinguishable. As a geopolitical term, ‘the Baltics’ took root only in the 20th century. The more distant past and cultural history of the three countries differ on several levels.\u003cbr\u003e\u003cbr\u003ePerhaps it is namely in defiance against externally imposed homogenising simplifications that we tend to turn to more distant places for inspiration and view local trends and tendencies as something confined only to national borders.\u003cbr\u003e\u003cbr\u003eHowever, anxious times encourage unity, urging us to discover and interpret our identities ourselves instead of letting others define us. In order to be carried and consolidated not only by fear, but also joy, pleasure, and curiosity we invite to discover commonalities and peculiarities of the Baltic countries!\u003cbr\u003e\u003cbr\u003eWide breadth, blurred boundaries, ambiguous endings and beginnings—the charm of the Baltic condition is not easy to grasp. But as Latvians say, per Reinis Salins: ‘Katram savs stūrītis’ (‘Everyone has their own corner’).\u003c\/p\u003e\n\u003cp\u003eMAJA is a quarterly architectural review and spatial culture magazine in Estonia. Established in 1994, it provides an English and Estonian platform for architects, urban planners, and designers to analyze spatial design, architecture, and environmental issues.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025, MTÜ Arhitektuurikirjastus, 285x215mm, 120 pp., Estonian\/English, ISSN 9771023074408\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54403072786778,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/EestiarhitektuuriajakiriMAJA1-2025_119_EstonianArchitecturalReviewMAJA1-2025_119.jpg?v=1786465779"},{"product_id":"maja-betoon-concrete","title":"MAJA Betoon \/ Concrete","description":"\u003cp\u003eConcrete embodies the modernist ideology of development, which remains a part of nearly every architectural project today. Architects and engineers have been drawn to concrete for its structural as well as aesthetic qualities, and yet, most of its use boils down to simple efficiency and relatively low cost.\u003cbr\u003e\u003cbr\u003eThe raw materials for concrete are sourced globally, its production is scalable, and its casting and usage are universally replicable. This has shaped our modern construction (mono)culture, as well as the scope of spaces we create.\u003cbr\u003e\u003cbr\u003eWhere is the line between genuine development and pointless construction? How to use concrete reasonably rather than wastefully? In what form should concrete figure in contemporary architecture?\u003c\/p\u003e\n\u003cp\u003eMAJA is a quarterly architectural review and spatial culture magazine in Estonia. Established in 1994, it provides an English and Estonian platform for architects, urban planners, and designers to analyze spatial design, architecture, and environmental issues.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025, MTÜ Arhitektuurikirjastus, 285x215mm, 104 pp., Estonian\/English, ISSN 9771023074415\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54403073212762,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/MAJA-2-2025.jpg?v=1786465758"},{"product_id":"maja-venture","title":"MAJA Venture","description":"\u003cp\u003eSummer issue of MAJA comes with the theme “Venture,” guest-edited by Ulla Alla, Merilin Kaup and Mari Möldre from VARES architecture residency.\u003cbr\u003e\u003cbr\u003e“Venture” signifies both organised undertakings as well as attempts with uncertain outcomes. Venturing always carries the possibility of failure, and the justification that at least you tried.\u003cbr\u003e\u003cbr\u003eWith a lightly self-ironic yet persistent tone, the articles move between theory and practice, from planning to putting out fires, from sobriety to intoxication.\u003cbr\u003e\u003cbr\u003eDifferent forms of ventures are explored by Paula Veidenbauma, Emel Tuupainen, Mihkel Raev, Lev Bratishenko, Laura Pormeister, Mari Möldre, Elina Liiva, and Helena Männa.\u003c\/p\u003e\n\u003cp\u003eMAJA is a quarterly architectural review and spatial culture magazine in Estonia. Established in 1994, it provides an English and Estonian platform for architects, urban planners, and designers to analyze spatial design, architecture, and environmental issues.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e2026, MTÜ Arhitektuurikirjastus, 285x215mm, 148 pp., Estonian\/English, ISSN 9771023074446\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54403084681562,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/EestiarhitektuuriajakiriMAJA2-2026_124_EstonianArchitecturalReviewMAJA2-2026.jpg?v=1786465738"},{"product_id":"maja-annual-subscription-for-latvia-for-one-year","title":"MAJA Latvia Annual subscription (for one year)","description":"\u003cp\u003eMAJA is a quarterly architectural review and spatial culture magazine in Estonia. Established in 1994, it provides an English and Estonian platform for architects, urban planners, and designers to analyze spatial design, architecture, and environmental issues.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"citation-19\"\u003eAn annual subscription to the Estonian architecture magazine \u003c\/span\u003e\u003cb\u003e\u003cspan class=\"citation-19\"\u003eMAJA\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-19 citation-end-19\"\u003e includes 4 issues per year.\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54403091136858,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard1.jpg?v=1786952500"},{"product_id":"maja-annual-subscription-for-europe-for-one-year","title":"MAJA Europe Annual subscription (for one year)","description":"\u003cp\u003e\u003cspan\u003eMAJA is a quarterly architectural review and spatial culture magazine in Estonia. Established in 1994, it provides an English and Estonian platform for architects, urban planners, and designers to analyze spatial design, architecture, and environmental issues.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"citation-19\"\u003eAn annual subscription to the Estonian architecture magazine \u003c\/span\u003e\u003cb\u003e\u003cspan class=\"citation-19\"\u003eMAJA\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-19 citation-end-19\"\u003e includes 4 issues per year.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54403091661146,"sku":null,"price":64.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard2.jpg?v=1786952471"},{"product_id":"real-review-magazine-16","title":"Real Review Magazine #16","description":"\u003cp\u003eREGIME SHIFT\u003c\/p\u003e\n\u003cp\u003eThere is no snow on Mount Fuji. Any hack will tell you the phase change is here, the restructuring of the world is underway. That would be a relief, like a broken fever. But they are wrong. We are still waiting. This period is merely the static on the skin, the rising pressure and building tension before the impending climax of a deluge. We live under a lavender sky, silver and green; this is the time of unsettled air, heavy with that metallic smell of the earth. Soon the wind will awake, driving the rain forward like a cloud of smoke. The tremendous powers by which our lives are encompassed are stirring.\u003c\/p\u003e\n\u003cp\u003eHow can we prepare for transformation? We interview professor JONATHAN WHITE on the future as a political idea. Artist DOZIE KANU presents a flyer for higher education, while OPIOID CRISIS LOOKBOOK speculates on semiotics. PETER SAVILLE reviews the mood with JACK SELF, who reviews voice notes, moral killing, and the Star Trek universe. ISABELLE BUCKLOW binge-watches tech demos. SATOSHI FUJIWARA captures law enforcement hardware. RUBA AL-SWEEL reviews the non-commercial image, while MARTINA ROCCA and IZZY FARMILOE review the production of culture. CARMEN WINANT documents the last safe abortion, FELIX MCNAMARA writes notes on minutiae, JOHN SUNYER attends a run club, plus much more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/real-review.org\/home\"\u003e\u003cspan\u003eReal Review\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e is a contemporary culture magazine based in London and is \"what it means to live today\".\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach issue tracks our ever-changing zeitgeist through a \"current mood\". Using the review format, Real Review explores power relations through a close analysis of the material world. Real Review is a perpetual attempt at describing reality as it might actually exist, and reality as we experience it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrevious contributors include Chelsea Manning, His Holiness Pope Francis, Virgil Abloh, Olafur Eliasson, Hito Steyerl, Wolfgang Tillmans, Slavoj Žižek, Extinction Rebellion, Bifo Berardi, Cao Fei, Carlo Rovelli, Robin Givhan, Ryuichi Sakamoto, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eReal Review is dedicated to the promotion of democracy, inclusivity and equalities of many kinds. It is a non-commercial publication and contains no advertising. It is funded by sales and its Members, and is editorially independent.\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54412377882970,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/RealReviewIssue16_7352480f-8d33-481e-b86b-9dd114bac085.webp?v=1786466676"},{"product_id":"real-review-issue-14","title":"Real Review Magazine #14","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDIRECT PERCEPTION\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe spend almost a third of our lives connected to the internet, in a space-time of total internal reflection. Online lacks any randomness or chance; and this illusion of fate and order is at odds with the actual structure of the universe. Online we are not social beings but commodified identities; immersed in diluted ideas, weak connections and fleeting emotional states that neither originate within us, nor belong to us. We are possessed by the internet, and so dispossessed of life.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat is after the digital? We interview critical theorist Jonathan Crary on the internet complex. Artist Christine Sun Kim reviews contemporary society. Tanya and Zhenya Posternak review graffiti written by soldiers in Ukraine, while Sirkhaine Darkroom reviews the role of play on the Turkey-Syria border. Rhea Dillon performs an opera of the street, Emily Barker reviews accessible bathrooms and Kazeem Kuteyi goes outside. Seth Wheeler and Jamila Squire review shoplifting. Jack Self reviews object persistence, Maddy Weavers reviews comfort and Sahima Meem reviews the Adobe Suite. Jerry Gogosian reviews Instagram, Lucy Roeber reviews the Milf and Jackie Wang reviews Tiqqun. Plus much more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/real-review.org\/home\"\u003e\u003cspan\u003eReal Review\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e is a contemporary culture magazine based in London and is \"what it means to live today\".\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach issue tracks our ever-changing zeitgeist through a \"current mood\". Using the review format, Real Review explores power relations through a close analysis of the material world. Real Review is a perpetual attempt at describing reality as it might actually exist, and reality as we experience it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrevious contributors include Chelsea Manning, His Holiness Pope Francis, Virgil Abloh, Olafur Eliasson, Hito Steyerl, Wolfgang Tillmans, Slavoj Žižek, Extinction Rebellion, Bifo Berardi, Cao Fei, Carlo Rovelli, Robin Givhan, Ryuichi Sakamoto, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eReal Review is dedicated to the promotion of democracy, inclusivity and equalities of many kinds. It is a non-commercial publication and contains no advertising. It is funded by sales and its Members, and is editorially independent.\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54412418842970,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/RealReviewIssue14.jpg?v=1786465844"},{"product_id":"real-review-magazine-14","title":"Real Review Magazine #13","description":"\u003cp\u003eMINING THE PAST\u003c\/p\u003e\n\u003cp\u003eAll times appear equally and at once. The past no longer recedes in an orderly way, but threatens to resurface at any moment in the guise of the contemporary. Nostalgia cycles are getting faster. Old material artefacts return as integral components of current trends. The future is no longer desirable or unforeseen. The contemporary is a mess of memetic references, where relevance is more valued than newness. Simultaneously, the chaos of our epoch masks a vast project of algorithmic derisking to make tomorrow identical to today: who controls the past controls the future; who controls the present controls the past.\u003c\/p\u003e\n\u003cp\u003eWho owns the past? We interview columnist ROBIN GIVHAN on pluralist history. Artist GERHARD RICHTER reproduces a reproduction of an overpainted photograph. Author PHILIPPA SNOW reviews leather jackets. Balenciaga CCO MARTINA TIEFENTHALER and JACK SELF discuss fashion's cyclical relationship with the past, while philosopher CHRISTOPHER SCHABERG reviews airline travel chaos. Director DARCY THOMAS reviews climate reparations and the history of slavery. SOPHIA ALAMI reviews conscious parties and LEON BATCHELOR reviews the Carboniferous Period, plus much more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/real-review.org\/home\"\u003e\u003cspan\u003eReal Review\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e is a contemporary culture magazine based in London and is \"what it means to live today\".\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach issue tracks our ever-changing zeitgeist through a \"current mood\". Using the review format, Real Review explores power relations through a close analysis of the material world. Real Review is a perpetual attempt at describing reality as it might actually exist, and reality as we experience it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrevious contributors include Chelsea Manning, His Holiness Pope Francis, Virgil Abloh, Olafur Eliasson, Hito Steyerl, Wolfgang Tillmans, Slavoj Žižek, Extinction Rebellion, Bifo Berardi, Cao Fei, Carlo Rovelli, Robin Givhan, Ryuichi Sakamoto, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eReal Review is dedicated to the promotion of democracy, inclusivity and equalities of many kinds. It is a non-commercial publication and contains no advertising. It is funded by sales and its Members, and is editorially independent.\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54412478120282,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/RealReviewIssue13.jpg?v=1786465821"},{"product_id":"labyrinth","title":"Labyrinth – Four Times Through the Labyrinth","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe starting point for this transcript of four lectures, all held in Leipzig in 2010, is a public art work that Olaf Nicolai installed in Paris in 1998. By exploring and combining a broad spectrum of topics that relate to the theme of the labyrinth, this book serves as both, a reference system to Nicolai’s work as well as an independent source book dealing with labyrinthian matter ranging from the minotaur to the floorplans of IKEA. Published in collaboration with Rollo Press.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2013, Spector Books, 12,5 x 18,7 cm, 320 pp., English, ISBN 9783944669038\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487435542874,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/THE-LABYRINTH.jpg?v=1786908608"},{"product_id":"en-plein-air-ethnographies-of-the-digital","title":"En plein air: Ethnographies of the Digital","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEn plein air—literally painting outdoors—was a polemic against the white walls of the studio articulated by the French impressionists in the mid-nineteenth century. French sociologist Marcel Mauss took up the cause, calling for practitioners to leave the atelier in order to observe life out in the open and formulating this as a fundamental requirement of ethnology. The ethnologist was supposed to come face-to-face with conditions in the field and in the process train their way of seeing. What would it mean to transfer this method into the digital realm? The digital is not constituted in opposition to the analogue, nor does it simply create an algorithmic structure. Its boundaries are constantly at stake, and digital practices are in a continual process of reinventing themselves. Engaging with the digital En plein air, the book brings together essays outlining the author’s experiences in interviews, recordings, poems, and collages working on semi-fictional and scientific texts. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthors: Dirk Baecker, Samuel Gerald Collins, Bryana Fritz, Orit Gat, Christiane Heidrich, Martina Leeker, Ariane Müller, Anna-Verena Nosthoff, Leslie Thornton, Max Wallenhorst a.o.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2019, Spector Books, 16 x 24 cm, 208 pp., English, ISBN 9783959052313\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487490494810,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/En-plein-air.-Ethnographies-of-the-Digital.jpg?v=1786908554"},{"product_id":"hito-steyerl-i-will-survive","title":"Hito Steyerl. I Will Survive","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. “We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,” writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl’s survey show, which will take place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe cooperative project is funded by the German Federal Cultural Foundation. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith texts by: Nora M. Alter, Karen Archey, Teresa Castro, Alexandra Delage, Florian Ebner, Thomas Elsaesser, Ayham Ghraowi, Tom Holert, Doris Krystof, Marcella Lista, Vanessa Joan Müller, Florentine Muhry, Mark Terkessidis, Brian Kuan Wood, and a lecture by Hito Steyerl and Trevor Paglen. Hito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2020, Spector Books, 20 x 28.8 cm, 448 pp., English and German, ISBN: 9783959053921\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487492034906,"sku":null,"price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/I-will-survive_Hito-Steyerl_Spector-Books_cover.jpg?v=1786476950"},{"product_id":"sophie-huguenot-television-a-photographic-essay-on-the-staging-of-the-news","title":"Sophie Huguenot: Television. A photographic essay on the staging of the news","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor over a decade, Sophie Huguenot observed the process of presenting the daily news at RTS Info, a broadcaster in French-speaking Switzerland. Her work with a large-format camera made it possible for her to counter the frantic pace of reporting with a tool designed for slowness. She focused her attention on adjunct scenes in the television studio, on the in-between spaces in the fabric of production, and on the banality of day-to-day work. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHuguenot applies surgical precision and doggedness in her examination of the changes happening in the way images are produced and of our relationship with them. “The transitional phase in a fundamental process of change affecting audiovisual media is manifested in this vast collection of photographs.” (Bernard Rappaz) \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSophie Huguenot \u003c\/span\u003e\u003cspan\u003ehas been working as an independent artist and freelance photographer since 2009. She has taught photography at the École cantonale d’art de Lausanne (ECAL) and at the École romande d’arts et communication (éracom). She is based in Bern and Lausanne. Graphic designer Nicolas Eigenheer and book producer Mirjam Fischer, both live and work in Zurich.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2025, Spector Books, 14 x 21, 588 pp., English, ISBN: 9783959058544\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487492723034,"sku":null,"price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/51x2T2HqiLL._SL1000_copy.jpg?v=1786962279"},{"product_id":"collective-fabula-relational-landscapes-naviation","title":"Saikņotās ainavas: navigācija \/ Relational Landscapes: Navigation, Collective Fabula","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRadošā apvienība “Fabula” sadarbībā ar Latvijas Laikmetīgās mākslas centru (LLMC) izdod grāmatu “Saikņotās ainavas: navigācija”, kurā apkopoti astoņu starptautisku autoru uzdevumi, kas aicina lasītāju doties dabā un mijiedarboties ar to neierastos veidos. Izdevums balstīts iemiesotas izziņas pieejā, uzsverot, ka mācīšanās notiek ne tikai intelektuāli, bet arī ķermeniskā pieredzē.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArvien biežāk izskan aicinājumi būt “dabā”. Nereti to iztēlē romantizējam kā skaistu, attālu un harmonisku telpu. Šādā skatījumā daba kļūst par noteiktām vietām piesaistītu jēdzienu, atpūtas un estētiska pieredzējuma fonu. Ainavas ir daudzslāņainas – tās saikņo gan cilvēka radītās struktūras, gan daudzsugu procesus, kas norisinās neatkarīgi no mūsu nodomiem, plāniem un interpretācijām. Izdevumā necenšamies atgriezties pie iztēlota iepriekšēja dabas līdzsvara, bet gan ieraudzīt, kā turpināt apzinātāku kopābūšanu mūsu sarežģītajā pasaulē, netiecoties to vienkāršot, izlabot vai padarīt ērtu. Apzinoties izaicinājumu  ikdienas gaitās apjaust citādas formas kopābūšanai ar dabu, ir radīts izdevums, kas pavadīs jaunās pieredzēs. Tādēļ izdevumā nav piedāvāts teorētisks ideju apskats, bet gan uzdevumi, kas aicina lasītāju doties dabā un pieredzēt to ārpus ierastā skatījuma.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAutori pārstāv dažādas nozares: laikmetīgo arhitektūru, dizainu, mākslu un literatūru, kas uzsver temata aktualitāti pāri disciplīnu robežām. Autoru lokā ir dzejniece Agnese Krivade, radio personība Elīna Baltskara, arhitekti Toms Kokins un Sūzana Brorsone, dizainere Rūta Žemčegovaite, kuratore Kamilla Kūna, mākslinieki Hiperions Sakacins Ivare lo Saga un Liene Jurgelāne.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIzdevuma sastādītājas: Rūta Jumīte un Tīna Alise Drupa (Radošā apvienība “Fabula”). Redaktors: Toms Babincevs. Korektori: Rūdis Bebrišs, Diāna Štrausa un Igors Malovickis. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIzdevuma tapšanu atbalsta Valsts Kultūrkapitāla fonds, VV Foundations un Amerikas Latviešu Apvienības Kultūras fonds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[ENG]\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe bilingual pocketbook Relational Landscapes: Navigation, by the creative collective \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/collective_fabula\/\" role=\"link\" tabindex=\"0\"\u003ecollective fabula\u003c\/a\u003e\u003cspan\u003e, invites readers to experience nature beyond the usual perspective. It offers exercises created by eight international authors that encourage people to venture into nature and interact with it in new ways.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe pocket book serves as a practical companion for exploration. It brings together tasks by eight international authors, inviting the reader to observe, listen, draw, and reflect on their surrounding environment. The publication is grounded in an embodied cognition approach, emphasizing that learning occurs not only intellectually, but also through bodily experience.\u003c\/p\u003e\n\u003cp\u003eIn our daily life, we increasingly hear invitations to ‘be in nature.’ Often, we imagine it as a romanticized, beautiful, and harmonious space, where nature becomes a backdrop for leisure tied to specific locations. This publication addresses contemporary questions about the relationship between humans and the environment, reflecting a broader understanding of landscape. Rather than returning to an imagined past balance of nature, the authors invite us to consider how to continue a more conscious coexistence within our complex world — without striving to simplify, fix, or make it comfortable.\u003c\/p\u003e\n\u003cp\u003eThe contributors represent a range of disciplines: architecture, design, art, and literature, highlighting the relevance of the topic across fields. Among the authors are poet Agnese Krivade, radio personality Elīna Baltskara, architects Toms Kokins and Suzanne Brorson, designer Rūta Žemčegovaitė, curator Kamilla Kūna, and artists Hyperion Çacatzin Yvaire Lo Saga and Liene Jurgelāne.\u003c\/p\u003e\n\u003cp\u003eCollaboration partner: Latvian Centre for Contemporary Art Support: State Culture Capital Foundation, VV Foundation, ALA Cultural Foundation\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2024, collective fabula, Latvian \/ English, ISBN: 9789934386183\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487514251610,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/6a0c2cafb390e624c6ede44c_Fabula-1_99e8b469-6de8-4365-aa08-b109ffc2fc92.jpg?v=1786472584"},{"product_id":"andris-eglitis-gaiss-apcirsts-paralelograms","title":"Andris Eglītis. Gaišs, apcirsts paralelograms","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe publication \"Andris Eglītis. Pale, chopped-off parallelogram\" reflects the creative activity of Eglītis in recent years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe publication is based on efforts to create a qualitatively different edition of contemporary painting, consisting of an extensive visual narrative - a collection of photographic materials of the reproduction of works and the creative process, as well as four different essays from different authors (curator Katerina Gregosa, art scientist Elīna Sproģe, artists Ēriks Apaļais and Agnese Krivade). Through conversations, observations and letters, they outline the various moments of the connection between the artist \u003ca href=\"https:\/\/aeglitis.lv\/\"\u003eAndris Eglītis\u003c\/a\u003e.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe creators of the publication emphasize: \"This book can be called a break in the process or a space where you can meet Andris Eglītis' paintings. Through works from recent series and new texts, it brings us closer to time, the environment and material used by artist.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEglītis' works encourage highlighting his ability to create a dialogue between contemporary and tradition-based painting. The scenes, textures, and creations chosen for the book illustrate the process by which ways of creating meanings are sought by experimenting with light, materiality, painting technique, and subject matter.\"\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe publication was compiled by Andris Eglītis, Elīna Sproģe, Laura Adamoviča and Aleksejs Muraško. The graphic design was created by Aleksejs Muraško, the texts were translated into English by Jānis Frišvalds, Lauris Veips. Consultants - Santa Hirša and Henriks Eliass Zēgners. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2022, Neputns, 216 pp., Latvian and English, ISBN 9789934235580\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487519494490,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/andris-eglitis-00.png?v=1786467484"},{"product_id":"andris-eglitis-some-instances-of-encounters-between-imagination-and-matter","title":"Andris Eglītis. Some Instances of Encounters between Imagination and Matter","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Swedish Art Publishing House has launched the book \"Some Instances of Encounters between Imagination and Matter\", dedicated to the artist Andris Eglītis, focusing on his 2024 exhibition at the Latvian National Museum of Art. The publication by the author, photographer Reinis Hofmanis, is a documentation of Eglītis's work process and results. It includes essays by art historian Santa Hirša and curator Jūnatan Habib Engkvist, as well as a conversation with the artist by poet Agnese Krivade.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003ca href=\"https:\/\/aeglitis.lv\/\"\u003eAndris Eglītis\u003c\/a\u003e’\u003c\/span\u003e\u003cspan\u003e form of expression can be captured in variety of paintings, sculptures and architectonic installations made combining oil paint and the wood, soil, sand and clay obtained on site at his countryside in Drusti, Latvia. His works represent the fascination with nature\/human relationships as well as the perception of reality and materiality in art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2025, Arvinius + Orfeus Publishing, 181 pp., Latvian and English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487519887706,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/AE_books_01.png?v=1786468011"},{"product_id":"burtnica-1-4","title":"Savvaļas burtnīca, 1.–4. sējums","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSavvaļas burtnīca, 1.–4. sējums\" ir izdevums, kas dokumentē Andra Eglīša brīvdabas izstādi \"Savvaļa\", kuru apmeklēja 16 latviešu rakstnieki un dzejnieki, pārvēršot savus izstādes iespaidus dažādos teksta formātos. Tas nav tieši izstādes katalogs, bet drīzāk literāra un vizuāla dokumentācija.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAndra Eglīša izpausmes formu var tvert dažādās gleznās, skulptūrās un arhitektoniskās instalācijās, kas tapušas, apvienojot eļļas krāsu ar koku, augsni, smiltīm un mālu, kas iegūti uz vietas viņa lauku īpašumā Drustos, Latvijā. Viņa darbi atspoguļo aizraušanos ar dabas un cilvēka attiecībām, kā arī iztēles un matērijas uztveri mākslā.\u003c\/p\u003e\n\u003cp\u003eMakets: Aleksandrs Breže\u003c\/p\u003e\n\u003cp\u003e2025, Satori, 46 pp., latviešu valodā\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487520772442,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/savvala1_ecc4f1b1-5d54-4555-b1ca-240732e0203d.jpg?v=1788019602"},{"product_id":"burtnica-5-11","title":"Savvaļas burtnīca, 5.–11. sējums","description":"\u003cp\u003e\"Savvaļas burtnīca, 5.\u003cspan\u003e-\u003c\/span\u003e11. sējums\" ir turpinājums Andra Eglīša brīvdabas izstādes \"Savvaļa\" dokumentācijai. Izstādi apmeklēja vairāki latviešu rakstnieki un dzejnieki, kuri savus izstādes iespaidus pēc tam pārvērta dažādos teksta formātos.\u003c\/p\u003e\n\u003cp\u003eAndra Eglīša izpausmes formu var tvert dažādās gleznās, skulptūrās un arhitektoniskās instalācijās, kas tapušas, apvienojot eļļas krāsu ar koku, augsni, smiltīm un mālu, kas iegūti uz vietas viņa lauku īpašumā Drustos, Latvijā. Viņa darbi atspoguļo aizraušanos ar dabas un cilvēka attiecībām, kā arī iztēles un matērijas uztveri mākslā.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMakets: Aleksandrs Breže  \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e2025, Satori, 100 pp., latviešu valodā\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487521132890,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/savvala2_445a87b0-bca6-45cd-8083-d24a373ad88a.jpg?v=1788019840"},{"product_id":"a-minute-book-pauls-rietums","title":"Pauls Rietums. A minute book","description":"\u003cp\u003eA minute book contains sixty seconds, specifically the sixty seconds between 15:57:00 and 15:58:00.\u003c\/p\u003e\n\u003cp\u003eMade during the “Hungry Eyes” residency in Vilnius, 2023.\u003cbr\u003ePrinted in one color using risograph, hand-stapled.\u003c\/p\u003e\n\u003cp\u003eLimited edition.\u003c\/p\u003e\n\u003cp\u003e2023, residency in Vilnius, 60 pp., 7.5 × 5.5 cm\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54618579206490,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/1557_b04a6324-d2d8-400c-82f8-14bcb26101b3.jpg?v=1787320921"},{"product_id":"dzons-hejduks-projekts-riga","title":"Džons Hejduks: Projekts Rīga","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIzdevums \u003c\/span\u003e\u003ci\u003eDžons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e ir 3 grāmatu sējums, kas iezīmē 35 gadu jubileju kopš 1987. gadā notikušās Objekta\/Subjekta struktūru instalācijas Mākslas universitātes Lielajā zālē, Filadelfijā.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriģināli publicēts 1989. gadā, izdevums \u003c\/span\u003e\u003ci\u003eDžons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e atspoguļo rūpīgi dokumentēto Objekta\/Subjekta – divu antropomorfu struktūru, kas savstarpēji pievelkas un saplūst – mīklaino dabu un darināšanas procesu. Objekts un Subjekts, saukti arī par Rīgas struktūrām, pieder pie tiem Hejduka darbiem, kuros atklājas viņa interese par naratīva struktūrām, kas atver sarunu par attiecībām starp Arhitektu un viņa pasauli, starp vērotāju un vēroto.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJaunais un paplašinātais izdevums papildina sākotnēji publicētās pārdomas ar divām jaunām grāmatām īpaši izgatavotā futrālī – oriģināldarba tulkojumu latviešu valodā un izdevumu \u003c\/span\u003e\u003ci\u003eOtrais cēliens: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e, kas ir aizsācis Hejduka \u003c\/span\u003e\u003ci\u003eRīgas\u003c\/i\u003e\u003cspan\u003e jauniestudējumu Rīgā un citviet Latvijā.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIzdevuma\u003c\/span\u003e\u003ci\u003e Džons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e un jauniestudējuma \u003c\/span\u003e\u003ci\u003eOtrais cēliens: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e kuratori ir Rudolfs Dainis Šmits, Igors Malovickis, Reinis Saliņš un Andris Dzenis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublikācijas ietvaros saglabātas un ar atļauju atkārtoti publicētas šī mīklainā pāra autoru un vērotāju pārdomas, tai skaitā Helēnas Binē vizuālā eseja, Deivida Šapiro un Džona Hejduka dzejoļi, kā arī citi. Jauno izdevumu ievada Lerija Mitnika un Rudolfa Daiņa Šmita priekšvārdi.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eOtrais cēliens: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e apskata dažādu mākslinieku, kuratoru, dzejnieku, fotogrāfu, arhitektu un arhitektūras studentu praktiskās pārdomas par Džona Hejduka darba ētosu un pieejas būtību. Dalībnieku vidū ir arhitekts un dzejnieks Efe Dujans, arhitektūras studenti Gustavs Grasis, Kirils Kusids un Sergejs Kopils, mākslinieki Elza Sīle un Indriķis Ģelzis, mākslinieks un komponists Džo Namī, arhitekte un grafiķe Malgožata Marija Olčovska, topošā arhitektūras prakse Substrata, arhitekte un pētniece Dina Suhanova, kā arī dzejnieks Kārlis Vērdiņš.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublikācijas\u003c\/span\u003e\u003ci\u003e Džons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e izdošana iezīmē tā otro cēlienu, kas 2022. gadā ir sācies ar vairāku starpdisciplināru notikumu sēriju. Sadarbojoties vietējiem arhitektiem, Biznesa, mākslas un tehnoloģiju augstskolas RISEBA Arhitektūras un dizaina fakultātei (FAD), Kim? Laikmetīgās mākslas centram un citiem, iecerēts no jauna īstenot un prezentēt Objekta\/Subjekta struktūras.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublikācija tapusi ar Biznesa, mākslas un tehnoloģiju augstskolas RISEBA, Latvijas Kultūras ministrijas Valsts kultūrkapitāla fonda (VKKF) un Amerikas Latviešu apvienības Kultūras fonda (ALA KF) finansiālu atbalstu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eDizains: Jānis Birznieks \/ B\u0026amp;K Design \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTrīs sējumi mīkstajos vākos un īpaši izgatavotā futrālī\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e2021, ARHITEKSTI, \u003cmeta charset=\"utf-8\"\u003e229 x 304 x 17 mm, 144 lpp, \u003cmeta charset=\"utf-8\"\u003eangļu un latviešu valoda \u003cmeta charset=\"utf-8\"\u003eISBN: 978-9934-9057-0-4\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54746572587354,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/IMG_9595.heic?v=1788813517"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/collections\/entropy.press.png?v=1786646832","url":"https:\/\/entropypress.eu\/collections\/all\/time.oembed","provider":"entropy.press","version":"1.0","type":"link"}