{"title":"immaterial heritage","description":"\u003cp\u003eThis is a selection of contemporary artist books that explore intangible heritage, climate change, and resilience.\u003c\/p\u003e","products":[{"product_id":"making-matters-a-vocabulary","title":"Making Matters. A Vocabulary for Collective Arts","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. \u003c\/span\u003e\u003cspan\u003eMaking Matters \u003c\/span\u003e\u003cspan\u003espells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCollective action often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaking Matters\u003c\/span\u003e\u003cspan\u003e looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism—where the boundaries between art, design, research and activism become blurred or are dissolved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe entries in this vocabulary experiment with concepts and keywords of current art practices that may no longer be recognizable as art.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.hackersanddesigners.nl\/\"\u003e\u003cspan\u003eHackers \u0026amp; Designers\u003c\/span\u003e\u003c\/a\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditors: \u003c\/span\u003e\u003cspan\u003eJanneke Wesseling, Florian Cramer \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cspan\u003e Aliens in Green, a.pass \/ Lilia Mestre, Florian Cramer, Display Distribute \/ Elaine W. Ho, Feral Atlas \/ Lili Carr \u0026amp; Feifei Zhou Anja Groten, Thalia Hoffman, Jatiwangi art Factory \/ Bunga Siagian \u0026amp; Ismal Muntaha, Eleni Kamma, Frans-Willem Korsten, Klaas Kuitenbrouwer, Pia Louwerens, Dani Ploeger, Kate Rich, Femke Snelting, Olu Taiwo, Janneke Wesseling, West \/ Baruch Gottlieb, West \/ Akiem Helmling, Z. Blace\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJune 2022, Valiz, 20 x 11 cm, 336 pp., English, ISBN 978-94-93246-11-9\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062724940122,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/MakingMatters.AVocabularyforCollectiveArts.jpg?v=1786465224"},{"product_id":"on-the-necessity-of-gardening-an","title":"On the Necessity of Gardening. An ABC of Art, Botany and Cultivation","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broader relationships between nature and culture are played out on small scale. From this long cultural tradition also raises a call for a new awareness of our relationship with the Earth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn the Necessity of Gardening\u003c\/span\u003e\u003cspan\u003e tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHowever, the garden is not just a neutral place and intended solely for personal pastime, it is a place where the world manifests itself and where the relationship between culture and nature is expressed. In the eighteenth century this image shifted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth, by connecting different fields of activity in landscape, art and culture. Through many different essays and an extensive abecedarium, \u003c\/span\u003e\u003cspan\u003eOn the Necessity of Gardening\u003c\/span\u003e\u003cspan\u003e reflects on the garden as a metaphor for society, through concepts such as botanomania and capitalocene, from guerrilla gardening to queer ecology and zen garden.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditor:\u003c\/span\u003e\u003cspan\u003e Laurie Cluitmans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesign:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.bartdebaets.nl\/\"\u003e\u003cspan\u003eBart de Baets\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003eContributors:\u003c\/span\u003e\u003cspan\u003e Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLaurie Cluitmans\u003c\/span\u003e\u003cspan\u003e (b. 1984, NL) works as a curator of contemporary art for the Centraal Museum in Utrecht and is also an independent art critic. In 2016 she received the Prize for Young Art Criticism for her essay on the garden by Derek Jarman and Ian Hamilton Finlay.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2021, Valiz, 240 pp., 32 x 24 cm, English, ISBN 978-94-93246-00-3\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062730805594,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/On_the_Necessity_of_Gardening._An_ABC_of_Art_Botany_and_Cultivation.webp?v=1786464742"},{"product_id":"adelita-husni-bey-white-paper-on-l-1","title":"In the Absence of Bombs. Art, War, and Silence","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn the Absence of Bombs investigates this silence. In a time when horror is livestreamed and apathy is institutionalized, this book asks how such paralysis is possible – and how art can contribute to recognition of the unfolding crimes against humanity? How do poets, visual artists, theatre and filmmakers unsettle the spectacle of shock? How can grief become a collective and political force, rather than a privatized void? Through testimonies from war zones – from Gaza to Kharkiv, Beirut to Brussels – this book composes a polyphonic response to a world that demands clarity but offers none. It does not moralize. It insists. On mourning. On commitment.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2026, Valiz, 320 pp., 14 x 21 cm, English, ISBN 978-94-93246-59-1\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062743159130,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/In-the-Absence-of-Bombs-ISBN-9789493246591-Valiz-cover_1.jpg?v=1786464690"},{"product_id":"collapsed-mythologies-a-geofinancial-atlas-eline-benjaminsen-dayna-casey","title":"Collapsed Mythologies: A Geofinancial Atlas","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe realm of finance has its own eco-logics. Hectocorns offer behemoths poison pills, whales take fledglings to the moon, disappear into dark pools, and form fraudulent daisy chains with one another. This book examines slang terms used by traders and other financial professionals, transporting us to a landscape both real and supernatural. Between what these terms mean and the ecological world they refer to, Benjaminsen and Casey discover a rich mythological history. Unpacking this seductive language reveals the absurd (super)natural 'fictions' that materially and violently shape our worldly ecology. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eEline Benjaminsen\u003cspan\u003e is an artist making lens-based, follow-the-money narratives. Dayna Casey is an artistic researcher and designer essaying, narrating and composing visual languages. Amy Bride is a PhD in Gothic Finance. Sami Hammana is an artist and writer. Marie Storli is a journalist and economist. Alexis Wright is a Gulf of Carpentaria novelist.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2025, Spector Books, 14 x 22 cm, 344 pp., English, ISBN 9783959058490\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54363648885082,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/dayna_casey-eline-benjaminsen-collapsed-mythologies-a_geofinancial_atlas-spector_books-page_not_found001_copy.jpg?v=1785947923"},{"product_id":"on-behalf-of-the-environment-pedagogies-of-unrest","title":"On Behalf of the Environment. Pedagogies of Unrest","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Institut de l’Environnement (1969–1971) was a school in Paris with an interdisciplinary orientation. Founded in the heated atmosphere generated by worldwide student protests and by a growing awareness of the threat posed to the environment, this research and training center set out to redefine the way architecture and design are taught and the role that research plays in the process. The focus of the Bauhaus Lab 2024 was on the institute’s teaching and research activities and the cultural context in which it operated. Out of this has emerged a publication that examines the fragmented history of the institute by exploring the question “What is the environment?” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRafael Amato\u003c\/span\u003e\u003cspan\u003e is a graphic designer and researcher, based in Belo Horizonte. Felix Bell is a spatial designer, based in Rotterdam. Elena Falomo is a designer, engineer, artist, based in Berlin\/London. Or Haklai is an architect and design researcher, based in Tel Aviv. Teresa Häußler is an exhibition designer and researcher, based in Berlin. Louise Mazet is a design researcher, based in Hasselt. María Soledad Paszkiewicz is a curator and architect, based in Pamplona. 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The volume reflects anthrodecentric and embodied approaches to collaboration and knowledge production––processes that are always interwoven with a multitude of entities and actors. In this book, the contributions flow like a river across the Eurasian continent, branching out into all directions. The contributors engage in an exploration of experimental epistemic alliances, which operate as a way to learn and make new dialogic relations. The conflicts generated by ecological disaster, war, the global economy, identity politics, and the power structures of knowledge production and science here intertwine with shamanisms, rituals, magic, speculation, politics, and poetics. How do we imagine an active and implicated role of the human as one being among other beings? What might this entail, and what might this generate? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuthor:\u003c\/span\u003e\u003cspan\u003e Kristiina Koskentola; Marjolein van der Loo eds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2023, Stichting Onomatopee, 176 p, 17 x 24 cm, English, ISBN 9789493148949\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54368209535322,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Enfleshedecologiesofentities.jpg?v=1786465310"},{"product_id":"maja-venture","title":"MAJA Venture","description":"\u003cp\u003eSummer issue of MAJA comes with the theme “Venture,” guest-edited by Ulla Alla, Merilin Kaup and Mari Möldre from VARES architecture residency.\u003cbr\u003e\u003cbr\u003e“Venture” signifies both organised undertakings as well as attempts with uncertain outcomes. Venturing always carries the possibility of failure, and the justification that at least you tried.\u003cbr\u003e\u003cbr\u003eWith a lightly self-ironic yet persistent tone, the articles move between theory and practice, from planning to putting out fires, from sobriety to intoxication.\u003cbr\u003e\u003cbr\u003eDifferent forms of ventures are explored by Paula Veidenbauma, Emel Tuupainen, Mihkel Raev, Lev Bratishenko, Laura Pormeister, Mari Möldre, Elina Liiva, and Helena Männa.\u003c\/p\u003e\n\u003cp\u003eMAJA is a quarterly architectural review and spatial culture magazine in Estonia. Established in 1994, it provides an English and Estonian platform for architects, urban planners, and designers to analyze spatial design, architecture, and environmental issues.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e2026, MTÜ Arhitektuurikirjastus, 285x215mm, 148 pp., Estonian\/English, ISSN 9771023074446\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54403084681562,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/EestiarhitektuuriajakiriMAJA2-2026_124_EstonianArchitecturalReviewMAJA2-2026.jpg?v=1786465738"},{"product_id":"labyrinth","title":"Labyrinth – Four Times Through the Labyrinth","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe starting point for this transcript of four lectures, all held in Leipzig in 2010, is a public art work that Olaf Nicolai installed in Paris in 1998. 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Viņa darbi atspoguļo aizraušanos ar dabas un cilvēka attiecībām, kā arī iztēles un matērijas uztveri mākslā.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMakets: Aleksandrs Breže  \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e2025, Satori, 100 pp., latviešu valodā\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54487521132890,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/savvala2_445a87b0-bca6-45cd-8083-d24a373ad88a.jpg?v=1788019840"},{"product_id":"dzons-hejduks-projekts-riga","title":"Džons Hejduks: Projekts Rīga","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIzdevums \u003c\/span\u003e\u003ci\u003eDžons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e ir 3 grāmatu sējums, kas iezīmē 35 gadu jubileju kopš 1987. gadā notikušās Objekta\/Subjekta struktūru instalācijas Mākslas universitātes Lielajā zālē, Filadelfijā.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriģināli publicēts 1989. gadā, izdevums \u003c\/span\u003e\u003ci\u003eDžons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e atspoguļo rūpīgi dokumentēto Objekta\/Subjekta – divu antropomorfu struktūru, kas savstarpēji pievelkas un saplūst – mīklaino dabu un darināšanas procesu. Objekts un Subjekts, saukti arī par Rīgas struktūrām, pieder pie tiem Hejduka darbiem, kuros atklājas viņa interese par naratīva struktūrām, kas atver sarunu par attiecībām starp Arhitektu un viņa pasauli, starp vērotāju un vēroto.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJaunais un paplašinātais izdevums papildina sākotnēji publicētās pārdomas ar divām jaunām grāmatām īpaši izgatavotā futrālī – oriģināldarba tulkojumu latviešu valodā un izdevumu \u003c\/span\u003e\u003ci\u003eOtrais cēliens: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e, kas ir aizsācis Hejduka \u003c\/span\u003e\u003ci\u003eRīgas\u003c\/i\u003e\u003cspan\u003e jauniestudējumu Rīgā un citviet Latvijā.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIzdevuma\u003c\/span\u003e\u003ci\u003e Džons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e un jauniestudējuma \u003c\/span\u003e\u003ci\u003eOtrais cēliens: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e kuratori ir Rudolfs Dainis Šmits, Igors Malovickis, Reinis Saliņš un Andris Dzenis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublikācijas ietvaros saglabātas un ar atļauju atkārtoti publicētas šī mīklainā pāra autoru un vērotāju pārdomas, tai skaitā Helēnas Binē vizuālā eseja, Deivida Šapiro un Džona Hejduka dzejoļi, kā arī citi. Jauno izdevumu ievada Lerija Mitnika un Rudolfa Daiņa Šmita priekšvārdi.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eOtrais cēliens: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e apskata dažādu mākslinieku, kuratoru, dzejnieku, fotogrāfu, arhitektu un arhitektūras studentu praktiskās pārdomas par Džona Hejduka darba ētosu un pieejas būtību. Dalībnieku vidū ir arhitekts un dzejnieks Efe Dujans, arhitektūras studenti Gustavs Grasis, Kirils Kusids un Sergejs Kopils, mākslinieki Elza Sīle un Indriķis Ģelzis, mākslinieks un komponists Džo Namī, arhitekte un grafiķe Malgožata Marija Olčovska, topošā arhitektūras prakse Substrata, arhitekte un pētniece Dina Suhanova, kā arī dzejnieks Kārlis Vērdiņš.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublikācijas\u003c\/span\u003e\u003ci\u003e Džons Hejduks: Projekts Rīga\u003c\/i\u003e\u003cspan\u003e izdošana iezīmē tā otro cēlienu, kas 2022. gadā ir sācies ar vairāku starpdisciplināru notikumu sēriju. Sadarbojoties vietējiem arhitektiem, Biznesa, mākslas un tehnoloģiju augstskolas RISEBA Arhitektūras un dizaina fakultātei (FAD), Kim? Laikmetīgās mākslas centram un citiem, iecerēts no jauna īstenot un prezentēt Objekta\/Subjekta struktūras.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublikācija tapusi ar Biznesa, mākslas un tehnoloģiju augstskolas RISEBA, Latvijas Kultūras ministrijas Valsts kultūrkapitāla fonda (VKKF) un Amerikas Latviešu apvienības Kultūras fonda (ALA KF) finansiālu atbalstu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eDizains: Jānis Birznieks \/ B\u0026amp;K Design \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTrīs sējumi mīkstajos vākos un īpaši izgatavotā futrālī\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e2021, ARHITEKSTI, \u003cmeta charset=\"utf-8\"\u003e229 x 304 x 17 mm, 144 lpp, \u003cmeta charset=\"utf-8\"\u003eangļu un latviešu valoda \u003cmeta charset=\"utf-8\"\u003eISBN: 978-9934-9057-0-4\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54746572587354,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/IMG_9595.heic?v=1788813517"}],"url":"https:\/\/entropypress.eu\/collections\/immaterial-heritage-1.oembed","provider":"entropy.press","version":"1.0","type":"link"}