{"title":"VALIZ","description":"\u003cp\u003eFounded in 2003 in Amsterdam by \u003cstrong\u003eAstrid Vorstermans\u003c\/strong\u003e (publisher and art historian), Valiz Foundation is a publishing house and cultural platform which specializes in \u003cstrong\u003econtemporary art, theory, design, and urban asethetics. \u003c\/strong\u003eFor Astrid, success doesn’t necessarily mean selling books, but contributing to something larger: “I want our books to influence the way people think, or shift things in a small way… it’s a huge ambition, but real change starts from small moments”. from an interview in \u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/valiz-astrid-vorstermans-publishing-021018\"\u003eIt's Nice That\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAmong the most notable series are \u003cstrong\u003eAntennae-Arts in Society \u003c\/strong\u003e(focus on how art reacts to global political change, measuring the current cultural climate and identifying the next new trends) and \u003cstrong\u003evis-à-vis\u003c\/strong\u003e (built on the idea of dialogue and confrontation bridging the gap between theory and practice placing complex academic ideas face to face with everyday reality and artistic work).\u003c\/p\u003e\n\u003cp\u003eMost notable publications: \u003cstrong\u003eThe Murmuring of the Artistic Multitude: Global Art, Politics and Post-Fordism by Pascal Gielen - \u003c\/strong\u003edefending that globalized art scene is an ideal production entity for economic exploitation, Post-Fordist work model disection in the search of preserving one's own dynamic and freedom. One of VALIZ most cited books.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntersecting Artistic and Moral Perspectives \u003c\/strong\u003e(eds. sociologist Pascal Gielenand curator Niels van Tomme) - an anthology looking at how art can address political and ethical crises.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommonism: A New Aesthetics of the Real\u003c\/strong\u003e (eds. Nico Dockx and Pascal Gielen): A key text in their \"Antennae\" series focusing on the cultural commons - how do they shape the reality of our living together, is there another, more just future imaginable through the commons? \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Fall of the Studio: Artists at Work\u003c\/strong\u003e (ed. Wouter Davidts and Kim Paice) is a series of essays looking at the role and significane of the artist's studio and it's shifting nature from the 1960s to today. Essays devoted to artists and their use of place for work, such as Daniel Buren, Jan De Cock, Olafur Eliasson, Eva Hesse, Martin Kippenberger, Paul McCarthy, Robert Morris, Bruce Nauman, Jason Rhoades, and Mark Rothko.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlatform Brutality\u003c\/strong\u003e by Geert Lovink reflects on internet which has become integral part of all human acitivites. Critical analysis on it's toxicity, voilent turn of the internet and techno-feudalism debates, to loneliness on social media, radical data critique, mythologies that surround the smart phone, offline romanticism question how to leave the platforms, designing a new balance between analogue and digital.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Architecture of Loneliness (2024) Reflections on Displacement and Welcoming \u003c\/strong\u003e(ed. Mieke Bal) is an exploration of how urban design and architecture contribute to or mitigate social isolation, thus creating loneliness, alienation and displacement. Three essays by psychologist Wahbie Long, pholosopher\u003cspan\u003e Marie-José Mondzain and psychoanalyst Lysiane Lamantowicz question the harsh political climate and how to connect with your 'neighbour', close and far.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"unlicensed-bootlegging-as-1","title":"UNLICENSED. Bootlegging As Creative Practice","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOver the last few decades the term ‘bootlegging’, a practice once relegated to smugglers and copyright infringers, has become understood as a creative act. Debates about homage, appropriation, and theft that are common in the art world, are now being held in the spheres of corporate branding, social media, and the creative industry as a whole. Today, bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T-shirts, publishing ideologies, to acts of high fashion détournement.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUNLICENSED\u003c\/em\u003e\u003cspan\u003e contains twenty-one interviews with a range of creative practitioners on the topic of bootlegging. The conversations in \u003c\/span\u003e\u003cem\u003eUNLICENSED \u003c\/em\u003e\u003cspan\u003einvestigate bootlegging’s creative and critical potential, and explore new ways bootlegging can be deployed in order to thrive as an impactful cultural force.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Explores many layers of high and low culture and how bootlegging is employed as a creative force\u003c\/p\u003e\n\u003cp\u003e- Sparks innovative, cross-disciplinary artistic processes\u003c\/p\u003e\n\u003cp\u003e- Accessible and versatile reads, beautiful visuals\u003c\/p\u003e\n\u003cp\u003e- Selected as one of \u003ca href=\"https:\/\/debestverzorgdeboeken.nl\/en\"\u003eThe Best Dutch Book Designs\u003c\/a\u003e of 2023!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthor and design: \u003c\/strong\u003eBen Schwartz \u003cstrong\u003e\u003c\/strong\u003e(1988) is a graphic designer and editor based in New York. He collaborates with several graphic design studios in the cultural sector across a variety of media.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterviews with: \u003c\/strong\u003eA March Issue (Line Arngaard \u0026amp; Sonia Oet), Babak Radboy, Clara Balaguer \u0026amp; Czar Kristoff, BLESS (Desiree Heiss \u0026amp; Ines Kaag), Boot Boyz Biz, Akinola Davies Jr, Eric Doeringer, Experimental Jetset (Marieke Stolk, Erwin Brinkers, Danny van den Dungen), Elisa van Joolen, Hassan Kurbanbaev, Urs Lehni \u0026amp; Olivier Lebrun, Jonathan Monk, Matt Olson, Online Ceramics (Elijah Funk \u0026amp; Alix Ross), Mark Owen, Printed Matter (Jordan Nassar \u0026amp; Christopher Schulz), Nat Pyper, Hassan Rahim, Shanzhai Lyric, SHIRT, Oana Stanescu\u003c\/p\u003e\n\u003cp\u003eOctober 2023 | Valiz with \u003ca href=\"https:\/\/www.sourcetype.com\/\"\u003eSource Type\u003c\/a\u003e | support: \u003ca href=\"https:\/\/www.stimuleringsfonds.nl\/en\"\u003eCreative Industries Fund NL\u003c\/a\u003e; \u003ca href=\"https:\/\/www.cultuurfonds.nl\/\"\u003ePrins Bernhard Cultuurfonds\u003c\/a\u003e | pb | 18 x 11,5 cm (h x w) | 432 pp. | English | ISBN 978-94-93246-29-4  | € 26,25\u003cbr\u003e\u003cbr\u003eSize: 180 x 116 x 30 mm (LWH)\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062719959386,"sku":null,"price":26.25,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-unlicensed.jpg?v=1780134045"},{"product_id":"seven-logics-of-sculpture","title":"Seven Logics of Sculpture. Encountering Objects Through the Senses","description":"\u003cp\u003eSculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. \u003c\/p\u003e\n\u003cp\u003e2023, Valiz | pb | 23,4 x 16,5 cm | 240 pp.| English | ISBN 978-94-93246-15-7 | 2nd print | POD-version | € 26,25\u003cbr\u003e\u003cbr\u003eSize: 235 x 165 x 22mm (LWH)\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062723203418,"sku":null,"price":26.25,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-seven-logics-h.jpg?v=1780134283"},{"product_id":"burning-images-a-history-of-effig","title":"Burning Images. A History of Effigy Protests","description":"\u003cp\u003eEffigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics.\u003c\/p\u003e\n\u003cp\u003eSeptember 2021, Valiz | with support of \u003ca href=\"https:\/\/valiz.nl\/mondriaanfonds.nl\"\u003eMondriaan Fonds\u003c\/a\u003e, \u003ca href=\"https:\/\/www.cultuurfonds.nl\/\"\u003ePrins Bernhard Cultuurfonds\u003c\/a\u003e | pb | c. 320 pp. | 23,4 x 16,5 cm (h x w) | English | ISBN 978-94-92095-96-1 | € 26,50\u003cbr\u003e\u003cbr\u003eSize: 234 x 166 x 25mm (LWH)\u003cbr\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062726807898,"sku":null,"price":27.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-burning-images-h_7532dd22-05c7-43a3-8f03-90403e79f704.jpg?v=1780134401"},{"product_id":"on-the-necessity-of-gardening-an","title":"On the Necessity of Gardening. An ABC of Art, Botany and Cultivation","description":"\u003cp\u003eFor centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broader relationships between nature and culture are played out on small scale. From this long cultural tradition also raises a call for a new awareness of our relationship with the Earth.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn the Necessity of Gardening\u003c\/em\u003e tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems.\u003c\/p\u003e\n\u003cp\u003eHowever, the garden is not just a neutral place and intended solely for personal pastime, it is a place where the world manifests itself and where the relationship between culture and nature is expressed. In the eighteenth century this image shifted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades.\u003c\/p\u003e\n\u003cp\u003eThere is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth, by connecting different fields of activity in landscape, art and culture. Through many different essays and an extensive abecedarium, \u003cem\u003eOn the Necessity of Gardening\u003c\/em\u003e reflects on the garden as a metaphor for society, through concepts such as botanomania and capitalocene, from guerrilla gardening to queer ecology and zen garden.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Laurie Cluitmans (b. 1984, NL) works as a curator of contemporary art for the Centraal Museum in Utrecht and is also an independent art critic. In 2016 she received the Prize for Young Art Criticism for her essay on the garden by Derek Jarman and Ian Hamilton Finlay.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eContributors:\u003c\/strong\u003e Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e \u003ca href=\"https:\/\/www.bartdebaets.nl\/\"\u003eBart de Baets\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e- Not your everyday gardening book!\u003c\/p\u003e\n\u003cp\u003e- Through the metaphor of gardening, this book offers insights on the convergence of nature and culture, ecology, climate, and care for the environment, with themes such as Arcadia, Control, Ecofascism, Guerilla Gardening, Queer Ecology\u003c\/p\u003e\n\u003cp\u003e- Selected as one of the \u003ca rel=\"noopener\" href=\"https:\/\/debestverzorgdeboeken.nl\/en\/\" target=\"_blank\"\u003eBest Dutch Book Designs 2021\u003c\/a\u003e and winner of the \u003ca rel=\"noopener\" href=\"https:\/\/www.stiftung-buchkunst.de\/en\/best-book-design-from-all-over-the-world\/the-awardees\/\" target=\"_blank\"\u003eGolden Letter 2022\u003c\/a\u003e!\u003c\/p\u003e\n\u003cp\u003eJune 2021, Valiz in collaboration with \u003ca href=\"https:\/\/www.centraalmuseum.nl\/nl\/ontdek\/verhalen\/het-centraal-museum?gclid=Cj0KCQjwo-aCBhC-ARIsAAkNQiujqvjdMDqM-xAyF7Mun7VRH_QZxcQ5F0DlLsbLTXZuTn4XU-BW1j0aAj7bEALw_wcB\"\u003eCentraal Museum, Utrecht\u003c\/a\u003e | supported by \u003ca href=\"https:\/\/stimuleringsfonds.nl\/en\/\"\u003eCreative Industries Fund NL\u003c\/a\u003e, \u003ca href=\"https:\/\/jaaphartenfonds.nl\/\"\u003eStichting Jaap Harten Fonds\u003c\/a\u003e, \u003ca href=\"https:\/\/www.degijselaarhintzenfonds.nl\/\"\u003eDe Gijselaar-Hintzenfonds NL\u003c\/a\u003e, \u003ca href=\"https:\/\/www.mullerfonds.nl\/\"\u003edr. Hendrik Mullerfonds\u003c\/a\u003e | Pb | 240 pp. | 32 x 24 cm (h x w) | English | ISBN 978-94-93246-00-3 | € 31,40\u003cbr\u003e\u003cbr\u003eSize: 320 x 241 x 18mm (LWH)\u003cbr\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062730805594,"sku":null,"price":31.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-gardening_613dc3c9-28bb-40fb-9b09-2899710d1321.jpg?v=1780134609"},{"product_id":"valuing-architecture-heritage-and","title":"Valuing Architecture. Heritage and the Economics of Culture","description":"\u003cp\u003eArchitecture has always been found in a space between its economic and cultural values. As distinct from the intrinsic values attributed to the visual and performing arts, literature and music, architecture's values are often seen to be compromised by, or contingent upon, forces outside of the discipline—on property prices, real estate markets and the vicissitudes of local and global economies. Such intersections of cultural and economic values are especially conspicuous in architectural heritage where conflicts between values are most publicly and passionately contested.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eValuing Architecture\u003c\/em\u003e is not concerned with arguments for or against the cultural value of architecture and heritage per se but, rather, with the different sites and occasions where such values are bestowed, exchanged and come into conflict. It brings together a collection of essays that tackle concrete cases, both historical and contemporary, to explore how the values of architecture intersect, and what is at stake for architecture in the economics of culture.\u003c\/p\u003e\n\u003cp\u003e- Explores different perspectives on the value of architecture\u003c\/p\u003e\n\u003cp\u003e- Looks at inherent cultural and historical value and how to link to economic value\u003c\/p\u003e\n\u003cp\u003e- Sparks the discussion on heritage with new content\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e Ashley Paine, Susan Holden, John Macarthur\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContributors:\u003c\/strong\u003e Daniel M. Abramson, Tom Brigden, Alex Brown, Amy Clarke, Wouter Davidts, Bart Decroos, Susan Holden, Jordan Kauffman, Hamish Lonergan, John Macarthur, Joanna Merwood-Salisbury, Ashley Paine, Anton Pereira, Andrea Phillips, Lara Schrijver, Ari Seligmann, Kirsty Volz, Rosemary Willink\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.samdegroot.nl\/\"\u003eSam de Groot\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e vis-à-vis\u003cbr\u003e\u003cbr\u003e2020, Valiz with the \u003ca href=\"https:\/\/www.uq.edu.au\/\"\u003eUniversity of Queensland\u003c\/a\u003e, the \u003ca href=\"https:\/\/www.arc.gov.au\/\"\u003eAustralian Research Council\u003c\/a\u003e, \u003ca href=\"https:\/\/www.ugent.be\/en\"\u003eGhent University\u003c\/a\u003e | paperback | 288 pp. | 23,4 x 16,5 cm (h x w) | ISBN 978-94-92095-93-0 | 2nd print | POD-version | € 26.25\u003cbr\u003e\u003cbr\u003eSize: 234 x 166 x 22mm (LWH)\u003cbr\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062732345690,"sku":null,"price":26.25,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-valuing-architecture_2ca87394-68cb-4bc2-aa4c-20f5188659f1.jpg?v=1780134653"},{"product_id":"conceptual-art-in-a-curatorial-pers","title":"Conceptual Art in a Curatorial Perspective. Between Dematerialization and Documentation","description":"\u003cp\u003e\u003cem\u003eConceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation\u003c\/em\u003e focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. \u003cbr\u003eThe aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue and the different ways of dealing with it within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNathalie Zonnenberg\u003c\/strong\u003e is an art historian and curator. She holds a PhD in Art History from Vrije Universiteit, Amsterdam (NL). Zonnenberg regularly writes on contemporary art. She lectures Art History at the Open University (NL) and at the post-graduate Curatorial Studies programme at KASK\/the Royal Academy of Fine Arts in Ghent (BE).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e \u003cstrong\u003eNathalie Zonnenberg\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.samdegroot.nl\/#\" rel=\"noopener\" target=\"_blank\"\u003eSam de Groot\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e \u003ca href=\"https:\/\/valiz.nl\/publicaties\/vis-a-vis-serie?highlight=WyJ2aXMtXHUwMGUwLXZpcyJd\"\u003evis-à-vis\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e- Elaborates on the history of and different approaches to exhibiting conceptual art, based on historical examples and case studies.\u003c\/p\u003e\n\u003cp\u003e- Shortlisted for the 'Best Book on Art History' \u0026gt; Richard Schlagman Art Book Award (Sept 2019, Whitechapel Gallery)\u003c\/p\u003e\n\u003cp\u003e2019, Valiz supported by \u003ca href=\"https:\/\/www.mondriaanfonds.nl\/en\/\" rel=\"noopener\" target=\"_blank\"\u003eMondriaan Fund\u003c\/a\u003e, \u003ca href=\"https:\/\/www.cultuurfonds.nl\/\" rel=\"noopener\" target=\"_blank\"\u003ePrins Bernhard Cultuurfonds\u003c\/a\u003e | paperback | 240 pp. | 23.5 x 16.5 cm (h x w) | English | ISBN 978-90-78088-76-9 | € 26,25\u003cbr\u003e\u003cbr\u003eSize: 234 x 165 x 20mm (LWH)\u003cbr\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062733918554,"sku":null,"price":26.25,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-conteptual-art_6ac38418-853b-4a53-bc58-60e287ce5762.jpg?v=1780134689"},{"product_id":"adelita-husni-bey-white-paper-on-l","title":"Adelita Husni-Bey • White Paper On Land, Law and the Imaginary","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/em\u003e\u003cspan\u003e is an experimental compendium to White Paper (2013–16), a project developed by artist Adelita Husni-Bey in collaboration with several organizations and bodies. Divided into three distinct chapters revolving around the relationship between legislation, property and agency vis-à-vis the right to housing in Egypt, the Netherlands and Spain, this publication chronicles the project’s tactics of representation and diverse methodological approaches across institutions and informal spaces. Ranging from workshops, film production and formal exhibition-making to public discussion, \u003c\/span\u003e\u003cem\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/em\u003e\u003cspan\u003e provides tools for analysing and acting upon the expansion of speculative neoliberal urban policies, and for re-imagining the space of the commons.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e Antonia Alampi (Beirut), Binna Choi (Casco); Jens Maier-Rothe (Beirut); Pablo Martínez (CA2M)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContributors:\u003c\/strong\u003e Ellen Feiss, Adelita Husni-Bey, Ana Mendez de Andes, Mohammed Rabie, Emilio Santiago\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e Bart de Baets\u003c\/p\u003e\n\u003cp\u003e- We all have the right to housing and to define our common space\u003c\/p\u003e\n\u003cp\u003e- Explores relationship between legislation, property and agency vis-à-vis the right to housing in Egypt, the Netherlands and Spain\u003c\/p\u003e\n\u003cp\u003e2017, Valiz with Beirut, Berlin; Casco, Utrecht; CA2M, Madrid | supported by \u003ca href=\"http:\/\/www.grahamfoundation.org\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eGraham Foundation\u003c\/a\u003e | paperback | 88 pp. | 24 x 16 cm (h x w) | English| ISBN 978-94-92095-27-5 | € 15,75\u003cbr\u003e\u003cbr\u003eSize: 240 x 162 x 3mm (LWH)\u003cbr\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062740275546,"sku":null,"price":15.75,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-white-paper_56020927-fb74-4a19-959f-6f22fe55dcda.jpg?v=1780134961"},{"product_id":"adelita-husni-bey-white-paper-on-l-1","title":"In the Absence of Bombs. Art, War, and Silence","description":"\u003cp\u003eWhat happens when violence unfolds before our eyes, yet responses hesitate and waver? When institutions—political, academic, cultural—retreat into silence, and even committed artists falter in the face of war?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the Absence of Bombs\u003c\/em\u003e investigates this silence. In a time when horror is livestreamed and apathy is institutionalized, this book asks how such paralysis is possible—and how art can contribute to recognition of the unfolding crimes against humanity? How do poets, visual artists, theatre and filmmakers unsettle the spectacle of shock? How can grief become a collective and political force, rather than a privatized void?\u003c\/p\u003e\n\u003cp\u003eThrough testimonies from war zones—from Gaza to Kharkiv, Beirut to Brussels—this book composes a polyphonic response to a world that demands clarity but offers none. It does not moralize. It insists. On mourning. On commitment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e Pascal Gielen, Bahia Shehab\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContributors: \u003c\/strong\u003eDiana Al-Halabi, Amir Ashkar, Tammam Azzam, Jan Beddegenoodts, Yousra Benfquih, Marlies De Munck, Naama Shoshana Fogiel Lewin, Lara García Diaz, Pascal Gielen, Mohamed Hijji, Erwin Jans, Mazen Kerbaj, Lara Khaldi, Maha Maamoun, Médecins Sans Frontières, Sohail Salem, Roschanack Shaery-Yazdi, Bahia Shehab, STAN, Walid Taher, Jana Traboulsi, Emily Van Driessen, Annelys de Vet, Gamlet Zinkivskyi\u003c\/p\u003e\n\u003cp\u003e- A versatile, in-depth anthology about the influence art and media have on the perception of war, and how artists can use art to illustrate the atrocities of violence around them\u003c\/p\u003e\n\u003cp\u003e- Explores the silence of institutions and (engaged) artists regarding recent geopolitical conflicts and the genocide in Palestine\u003c\/p\u003e\n\u003cp\u003e- With testimonies from artists who did not retreat into silence, from Palestine, Lebanon, Ukraine, amongst others\u003c\/p\u003e\n\u003cp\u003e2026, Valiz is supported by Vfonds and Mondriaan Fund | pb | 320 pp. | 21 x 13,5 cm (h x w) | English | ISBN 978-94-93246-59-1\u003c\/p\u003e\n\u003cp\u003eSize: 211 x 135 x 24mm (LWH)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062743159130,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/test-in-the-absence_612ea8bb-27ad-4783-baf9-b621d4b35b33.jpg?v=1780134989"}],"url":"https:\/\/entropypress.eu\/collections\/valiz.oembed","provider":"entropy.press","version":"1.0","type":"link"}