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Radīšana ir būtiska: Kolektīvās mākslas vārdnīca\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eVALODA: ANGĻU VAL.\u003c\/p\u003e\n\u003cp\u003ePasaule saskaras ar neatliekamām ekoloģiskām un sociālām krīzēm, kur kolektīva rīcība vairs nav izvēle, bet nepieciešamība. Making Matters definē vizuālo mākslinieku un dizaineru lomu šajos procesos, fiksējot identitātes maiņu - no individuālas autonomijas uz radikālu sadarbību. \u0026nbsp;Izdevums pēta prakses, kas vairs neiekļaujas Rietumu mākslas kanonā vai tradicionālajās robežās starp mākslu, dizainu, pētniecību un aktīvismu.\u003c\/p\u003e\n\u003cp\u003eŠī vārdnīca eksperimentē ar jēdzieniem, kas apraksta mākslu, kura reizēm vairs pat nav atpazīstama kā \"māksla\". \u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e- Atslēgvārdu vārdnīca sadarbības veicināšanai\u003c\/p\u003e\n\u003cp\u003e- Globāla perspektīva uz transdisciplināru praksi \u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e- Mākslinieks kā pētnieks, hakeris un kopienas aktīvists \u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedaktori:\u003c\/strong\u003e Janneke Vesselinga, Florian Cramer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedakcijas komiteja: \u003c\/strong\u003eFlorian Cramer, Anja Grotena, Klaas Kuitenbrouwers, Pia Louwerensa, Marie-José Sondeijkera, Janneke Vesselinga\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutori:\u003c\/strong\u003e Aliens in Green, a.pass \/ Lilia Mestre, Florian Cramer, Display Distribute \/ Elaine W. 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Grāmatu veido divi paralēli stāsti: akadēmisks teksts septiņās nodaļās un attēlu montāža, analizējot protestu stratēģijas un ikonoloģiju mūsdienu liberālās demokrātijas kontekstā.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5,0,0\"\u003e- Pēta politiskā protesta teatrālās formas: leļļu iznīcināšanu, pakāršanu un dedzināšanu\u003c\/p\u003e\n\u003cp data-path-to-node=\"5,1,0\"\u003e- Analizē attēlu kultūru un informācijas zibensātru izplatību sociālajos medijos\u003c\/p\u003e\n\u003cp data-path-to-node=\"5,2,0\"\u003e- Ietver vizuālās dokumentācijas no ASV, Irākas, Ēģiptes, Irānas un Afganistānas\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eAutors:\u003c\/b\u003e Florians Getke (\u003ci data-path-to-node=\"6\" data-index-in-node=\"24\"\u003eFlorian Göttke\u003c\/i\u003e) Amsterdamā dzīvojošs vizuālais mākslinieks, pētnieks un rakstnieks. Savā darbā viņš apvieno vizuālo izpēti (kolekcionēšanu un attēlu montāžu) ar akadēmisko pētniecību, analizējot publisko attēlu lomu sociālajā atmiņā un politikā. Getke ir izstādījies starptautiski un publicējies vadošos akadēmiskajos un mākslas izdevumos. Viņa grāmata Toppled, Sadama Huseina gāzto pieminekļu ikonoloģisks pētījums tika nominēta Dutch Doc Award 2011.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"84\"\u003eDizains:\u003c\/b\u003e Sems de Grots (\u003ci data-path-to-node=\"6\" data-index-in-node=\"108\"\u003eSam de Groot\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"122\"\u003eSērija:\u003c\/b\u003e \u003ci data-path-to-node=\"6\" data-index-in-node=\"130\"\u003evis-à-vis\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eValiz, 2021. gads, 320 lapaspuses, 23.4 x 16.5 cm, mīkstajos vākos, . ISBN 978-94-92095-96-1 | € 26.50\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062726807898,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard_2_copy_2.jpg?v=1781598384"},{"product_id":"on-the-necessity-of-gardening-an","title":"On the Necessity of Gardening. An ABC of Art, Botany and Cultivation","description":"\u003cp\u003etulk. Dārza nepieciešamības būtība: Mākslas, dārzniecības un kultivēšanas pamācība\u003c\/p\u003e\n\u003cp\u003eVALODA: ANGĻU VAL.\u003c\/p\u003e\n\u003cp\u003eGadsimtiem ilgi dārzs ir kalpojis kā mikrokosms, kurā izspēlējas dabas un kultūras attiecības. Šī grāmata nav parasta dārzkopības pamācība; tas ir stāsts par dārzu kā iedvesmas avotu un politisku instrumentu - no viduslaiku paradīzes dārza līdz Antropocēna laikmetam, kurā cilvēka dominance pār dabu ir kļuvusi postoša.\u003c\/p\u003e\n\u003cp\u003eMūsdienu mākslinieki un domātāji dārzā nemeklē romantisku bēgšanu, bet gan jaunu apziņu par mūsu saikni ar Zemi. Caur esejām un apjomīgu pamācību prizmu izdevums pēta dārzu kā sabiedrības metaforu, apskatot tēmas no partizānu dārzkopības (guerrilla gardening) līdz kvīru ekoloģijai un botānomānijai. Tas sniedz ieskatu ekoloģijas, klimata un vides kopšanas krustpunktos, analizē tādus jēdzienus kā ekofašisms, kapitālocēns, kontrole un Arkādija.\u003c\/p\u003e\n\u003cp\u003ePrestižā apbalvojuma \"Zelta burts 2022\" (Golden Letter 2022) ieguvēja un viena no \"Best Dutch Book Designs 2021\" laureātēm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRedaktore: Laurie Cluitmans (dz. 1984, Nīderlande) laikmetīgās mākslas kuratore Centraal Museum Utrehtā un ir arī neatkarīga mākslas kritiķe. 2016. gadā viņa saņēma Jauno mākslas kritiķu balvu par eseju par Britu eksperimentālā kino režisora Dereka Džarmana un Iana Hamiltona Finleja dārzu.\u003c\/p\u003e\n\u003cp\u003eAutori: Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries\u003c\/p\u003e\n\u003cp\u003eDizains: Barts de Batss (\u003ca href=\"https:\/\/www.bartdebaets.nl\"\u003eBart de Baets\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003eTeksti: Jamaica Kincaid, Maria Barnas, Erik A. de Jong u.c. \u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eValiz, 2021. gads, sadarbībā ar \u003ca href=\"https:\/\/www.centraalmuseum.nl\/nl\/ontdek\/verhalen\/het-centraal-museum?gclid=Cj0KCQjwo-aCBhC-ARIsAAkNQiujqvjdMDqM-xAyF7Mun7VRH_QZxcQ5F0DlLsbLTXZuTn4XU-BW1j0aAj7bEALw_wcB\"\u003eCentraal Museum, Utrecht\u003c\/a\u003e | supported by \u003ca href=\"https:\/\/stimuleringsfonds.nl\/en\/\"\u003eCreative Industries Fund NL\u003c\/a\u003e, \u003ca href=\"https:\/\/jaaphartenfonds.nl\/\"\u003eStichting Jaap Harten Fonds\u003c\/a\u003e, \u003ca href=\"https:\/\/www.degijselaarhintzenfonds.nl\/\"\u003eDe Gijselaar-Hintzenfonds NL\u003c\/a\u003e, \u003ca href=\"https:\/\/www.mullerfonds.nl\/\"\u003edr. Hendrik Mullerfonds\u003c\/a\u003e, 240 lapaspuses, 32 x 24 cm, mīkstajos vākos, ISBN 978-94-93246-00-3 | € 31.40\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062730805594,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard_1.jpg?v=1781771263"},{"product_id":"valuing-architecture-heritage-and","title":"Valuing Architecture. Heritage and the Economics of Culture","description":"\u003cp\u003etulk. Izvērtējot arhitektūru: kultūras mantojums un kultūras ekonomika\u003c\/p\u003e\n\u003cp\u003eVALODA: ANGĻU VAL.\u003c\/p\u003e\n\u003cp\u003eArhitektūra vienmēr ir atradusies telpā starp kultūras un ekonomikas vērtībām. Atšķiroties no performatīvajām mākslām, literatūras vai mūzikas, arhitektūras vērtību bieži nosaka ārēji spēki: nekustamā īpašuma cenas, tirgus un globālā ekonomika. Šīs pretrunas ir īpaši saasinātas arhitektūras mantojuma jomā.\u003c\/p\u003e\n\u003cp\u003eValuing Architecture nemēģina aizstāvēt arhitektūras vērtību kā tādu, bet pēta vietas un situācijas, kurās šīs vērtības tiek piešķirtas, apmainītas vai nonāk sadursmē. Eseju krājums caur vēsturiskiem un mūsdienu piemēriem analizē, kas arhitektūrai ir likts uz spēles \u003cem\u003ekultūras ekonomikā\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e- Izpēta arhitektūras vērtības dažādās perspektīvas.\u003c\/p\u003e\n\u003cp\u003e- Meklē saikni starp kultūrvēsturisko mantojumu un ekonomisko vērtību.\u003c\/p\u003e\n\u003cp\u003e- Provocē jaunu diskursu par mantojuma saglabāšanu un tā attīstību.\u003c\/p\u003e\n\u003cp\u003eRedaktori: Ešlijs Peins, Sjūzena Holdena un Džons Makarturs (Ashley Paine, Susan Holden, John Macarthur) ir vadoši arhitektūras pētnieki un akadēmiķi no Kvīnslendas Universitātes (Austrālija). 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Between Dematerialization and Documentation","description":"\u003cp\u003etulk. \u003cmeta charset=\"UTF-8\"\u003eKonceptuālā Māksla no Kuratora Skatpunkta. Starp Dematerializāciju un Dokumentāciju\u003c\/p\u003e\n\u003cp\u003eVALODA: ANGĻU VAL.\u003c\/p\u003e\n\u003cp\u003eKonceptuālā māksla nav balstīta objektos, kas rada unikālus izaicinājumus tās izstādīšanai un saglabāšanai. Šī grāmata pēta paradoksu starp mākslas darba \u003cem\u003edematerializāciju\u003c\/em\u003e un tā \u003cem\u003edokumentāciju\u003c\/em\u003e muzejā.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eIzmantojot trīs izvērstas gadījumu izpētes un vēsturisku analīzi, autore, mākslas vēsturniece un kuratore, Natālija Zonenberga pēta, kā kuratori ietekmē konceptuālās mākslas kanonizāciju. Grāmata nepiedāvā paredzamus un praktiskus risinājumus, bet gan padziļina izpratni par to, kā rīkoties ar konceptuāliem mākslas darbiem tradicionālā muzeja vidē.\u003c\/p\u003e\n\u003cp\u003e- Analizē konceptuālās mākslas izstādīšanas vēsturi un metodes.\u003c\/p\u003e\n\u003cp\u003e- Būtisks resurss kuratoriem, mākslas studentiem un 60.\/70. gadu mākslas entuziastiem. \u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eNominēta prestižajai\u0026nbsp;\u003cmeta charset=\"UTF-8\"\u003eRičarda Šlagmana mākslas grāmatu balvai, 2019 (Richard Schlagman Art Book Award) kā viena no labākajām mākslas vēstures grāmatām.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutore: \u003c\/strong\u003eNatālija Zonenberga (Nathalie Zonnenberg) mākslas vēsturniece, kuratore un mākslas zinātņu doktore (Amsterdamas Brīvā universitāte \/ Vrije Universiteit, Amsterdam). Regulāri raksta par laikmetīgo mākslu un pasniedz mākslas vēsturi Nīderlandes Atvērtajā universitātē (Open University), kā arī Kuratoru Studiju programmā Karaliskajā mākslas akadēmijā (KASK) Gentē.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDizains:\u003c\/strong\u003e Sems de Grots (\u003ca href=\"https:\/\/www.samdegroot.nl\/#\"\u003eSam de Groot\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSērija: \u003c\/strong\u003evis-à-vis \u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eValiz, 2019, gads, sadarbībā ar \u0026nbsp;\u003ca rel=\"noopener\" href=\"https:\/\/www.mondriaanfonds.nl\/en\/\" target=\"_blank\"\u003eMondriaan Fund\u003c\/a\u003e, \u003ca rel=\"noopener\" href=\"https:\/\/www.cultuurfonds.nl\/\" target=\"_blank\"\u003ePrins Bernhard Cultuurfonds\u003c\/a\u003e,\u0026nbsp;240 lapaspuses, 23.5 x 16.5 cm, \u0026nbsp;ISBN 978-90-78088-76-9 | € 26.25\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062733918554,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard_2_copy_6.jpg?v=1781602143"},{"product_id":"adelita-husni-bey-white-paper-on-l","title":"Adelita Husni-Bey • White Paper On Land, Law and the Imaginary","description":"\u003cp\u003etulk. 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Art, War, and Silence","description":"\u003cp\u003eIn the Absence of Bombs: Māksla, klusums un karš\u003c\/p\u003e\n\u003cp\u003eKas notiek, kad vardarbība norisinās mūsu acu priekšā, bet institūcijas , politiskās, akadēmiskās un kultūras, iegrimst klusumā? In the Absence of Bombs pēta šo paralīzi laikā, kad briesmas tiek straumētas tiešraidē, bet apātija ir kļuvusi institucionalizēta.\u003c\/p\u003e\n\u003cp\u003eIzdevumā centrālais jautājums virmo ap to, kā māksla var palīdzēt atpazīt noziegumus pret cilvēci? Kā dzejnieki, vizuālie mākslinieki un režisori spēj izjaukt šoka izrādi? Kā sēras var pārvērst par kolektīvu un politisku spēku?\u003c\/p\u003e\n\u003cp\u003eCaur liecībām no karadarbības zonām - Gazas, Harkivas, Beirūtas, šis izdevums veido polifonisku atbildi pasaulei, kas pieprasa skaidrību, bet piedāvā tikai haosu.\u003c\/p\u003e\n\u003cp\u003e- Padziļināta antoloģija par mākslas un mediju ietekmi uz kara uztveri.\u003c\/p\u003e\n\u003cp\u003e- Pēta institūciju klusēšanu par ģeopolitiskajiem konfliktiem un genocīdu Palestīnā.\u003c\/p\u003e\n\u003cp\u003e- Mākslinieku liecības no Palestīnas, Libānas, Ukrainas un citām vietām.\u003c\/p\u003e\n\u003cp\u003eRedaktori: Paskāls Gīlens (Pascal Gielen), Bahija Šehaba (Bahia Shehab)\u003c\/p\u003e\n\u003cp\u003eAutori: Mākslinieki un aktīvisti -\u003cstrong\u003e\u0026nbsp;\u003c\/strong\u003eDiana Al-Halabi, Amir Ashkar, Tammam Azzam, Jan Beddegenoodts, Yousra Benfquih, Marlies De Munck, Naama Shoshana Fogiel Lewin, Lara García Diaz, Pascal Gielen, Mohamed Hijji, Erwin Jans, Mazen Kerbaj, Lara Khaldi, Maha Maamoun, Médecins Sans Frontières, Sohail Salem, Roschanack Shaery-Yazdi, Bahia Shehab, STAN, Walid Taher, Jana Traboulsi, Emily Van Driessen, Annelys de Vet, Gamlet Zinkivskyi un organizācija \"Ārsti bez robežām\" (MSF)\u003c\/p\u003e\n\u003cp\u003eValiz, 2026. gads, 320 lapaspuses, 21 x 13.5 cm, mīkstajos vākos, ISBN 978-94-93246-59-1 | 2026 € 23\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54062743159130,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard_2_copy_7.jpg?v=1781602110"},{"product_id":"real-review-magazine-18-pre-order","title":"Real Review Magazine #18","description":"\u003cp\u003eThis is an early-bird ticket for the 18th issue of Real Review, what it means to live today.. Shipping in early june 2026.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn extinction burst occurs when bad behaviour intensifies before stopping. Undesirable qualities can become entrenched through positive reinforcement. But if the world changes and no longer provides us with the same feedback, we lose our minds: to the privileged, equality feels like persecution. Extinction bursts are forms of active denial; refusals to accept the past as gone, and desperate attempts to preserve the potential of an impossible reality. Today, modernity’s worst tendencies return intensified: patriarchy, racism, plutocracy, colonialism, exploitation, rentierism, genocide. Even attempts at redemption, restoration and stasis accelerate the decline.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIs the decline of the West irreversible? We interview YANCEY STRICKLER on creating alternative realities. RICHARD WENTWORTH walks and sends postcards. WENDY BROWN prefaces a new translation of Marx’s Capital. NOAM CHOMSKY is in conversation with RAGE AGAINST THE MACHINE. FRANCIS FUKUYAMA is in conversation with JACK SELF, who reviews Bin Laden and the creative millennial. MADDY WEAVERS cancels out noise. OLUWATOBILOBA AJAYI reviews black satire, while NEO-METABOLISM reviews The Limits to Growth. NOAH GOTLIB watches the American dream crumble. MAX CREASY documents the last disposable vape, while TANJA ENGLEBERTS captures oil at sea. SARAH OWEN and ROSE THEODORA read the stars. STEPHANIE SHERMAN, LUKÁŠ LIKAVČAN and RACHEL PEARL don spacesuits on Earth, while the OFFICE OF APPLIED STRATEGY wears corporate merch. 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Real Review is a perpetual attempt at describing reality as it might actually exist, and reality as we experience it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrevious contributors include Chelsea Manning, His Holiness Pope Francis, Virgil Abloh, Olafur Eliasson, Hito Steyerl, Wolfgang Tillmans, Slavoj Žižek, Extinction Rebellion, Bifo Berardi, Cao Fei, Carlo Rovelli, Robin Givhan, Ryuichi Sakamoto, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eReal Review is dedicated to the promotion of democracy, inclusivity and equalities of many kinds. It is a non-commercial publication and contains no advertising. It is funded by sales and its Members, and is editorially independent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e11 x 26 cm, 88 pages, PB, 2026\u003c\/span\u003e\u003c\/p\u003e","brand":"entropy.press","offers":[{"title":"Default Title","offer_id":54310902333786,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0968\/5762\/0826\/files\/Artboard_2_copy_9.jpg?v=1781771658"},{"product_id":"gaze-studies-kaisa-syrjanen","title":"Gaze Studies, Kaisa Syrjänen","description":"\u003cp\u003e\u003cb\u003eKaisa Syrjänen:\u003cbr\u003eTutkimus kauneuden politiikasta \u003cbr\u003e\/ Gaze Studies\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePhotographs, documents, materials, and sketches stacked up in drawers, boxes, and folders. Lingering in notebooks, on hard drives, and in storage. \u003ci\u003eTutkimus kauneuden politiikasta \/ Gaze Studies\u003c\/i\u003e brings together more than seven years of \u003cb\u003eKaisa Syrjänen’s \u003c\/b\u003eartistic research on beauty and appearance as social phenomena. The book consists of an avalanche of archival material, previously assembled into exhibitions, now offering a glimpse into Syrjänen’s background research. Through this somewhat chaotic collection, Syrjänen traces the demands, history, and ongoing presence of Western ideals of female beauty.\u003c\/p\u003e\n\u003cp\u003eKaisa Syrjänen is a Helsinki-based visual artist and journalist working with archives, photographs, and documents. She is currently studying sociology at the University of Helsinki.\u003c\/p\u003e\n\u003cp\u003eThe nearly 300-page book combines Syrjänen's own work with numerous archival sources. 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